When I Look at You (From "The Scarlet Pimpernel") Sheet Music Preview

When I Look at You (From "The Scarlet Pimpernel"): Piano/Vocal/Chords

Item: 00-PSP-000673

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Green Finch and Linnet Bird (Sweeney Todd) * How Could I Ever Know? (Secret Garden) * The Lady Is a Tramp (Babes in Arms) * Look to the Rainbow (Finian's Rainbow) * Someone to Watch Over Me (Oh, Kay!) * Summertime (Porgy and Bess®) and more.

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1 Beauty And The Beast --:--
2 Easy To Be Hard --:--
3 Johnny One Note --:--

Beauty And The Beast

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 268
SKU: 00-PSP-000673

More about this title

About the Composer: Frank Wildhorn

Frank Wildhorn has shaped musical theatre through compositions that blend classical sophistication with contemporary sensibility. His scores for The Scarlet Pimpernel, Jekyll & Hyde, and Natasha, Pierre & The Great Comet demonstrate his gift for crafting vocal lines that sit beautifully in the voice while advancing character and narrative.

Why we love this

This collection anchors singers in the authentic vocal writing from Broadway's most rewarding contemporary scores. The inclusion of cut suggestions and audition guidance transforms it from a songbook into a real practice tool that respects both the demands of performance and the realities of audition preparation.

What to expect

These songs balance theatrical storytelling with musical complexity. Whether lyrical and introspective or rhythmically driven, each piece invites the singer into a character's inner life, demanding both technical precision and emotional presence.

Who it's for

Singers preparing for auditions, building their musical theatre repertoire, or studying song interpretation across a broad range of musical styles and vocal demands. Voice teachers will find this collection valuable for introducing students to authentic Broadway orchestration and professionally transcribed scores.

How to get the most out of it

  • Study the contextual notes preceding each song; knowing the character's situation and emotional arc shapes phrasing choices that feel inevitable rather than imposed.
  • Use the 16-bar cuts provided, but also experiment with creating your own cuts that serve your unique strengths and the specific audition requirements you encounter.
  • Pay attention to how Wildhorn sets text to melody in passages with longer note values; these moments often reveal character vulnerability and require careful breath placement to maintain legibility.

How to use it

Select songs that showcase your specific vocal range and personality for auditions or recitals. Music teachers can draw from the collection to build units on musical theatre composition across different decades, or to introduce intermediate singers to more sophisticated repertoire than traditional vocal method books offer.

Skills your students will build

  • Singing from authentic Broadway vocal scores with proper text and harmony
  • Interpreting character-driven songs with theatrical awareness
  • Identifying and executing effective 16-bar and 32-bar cuts for audition contexts
  • Managing longer melodic phrases with appropriate breath control and legibility
  • Understanding how composers in different eras approached vocal line writing

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