Love, Don't Turn Away (From "110 in the Shade") Sheet Music Preview

Love, Don't Turn Away (From "110 in the Shade"): Piano/Vocal/Chords

Item: 00-PSP-000587

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Anything Goes (Anything Goes) * Don't Rain on My Parade (Funny Girl) * People (Funny Girl) * Send in the Clowns (A Little Night Music) * Whatever Lola Wants (Lola Gets) (Damn Yankees) * When You're Good to Mama (Chicago) and more.

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1 Forty Days --:--
2 Summertime --:--
3 The Lady Is A Tramp --:--
4 Without You --:--

Forty Days

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 204
SKU: 00-PSP-000587

More about this title

About the Composer: Harvey Schmidt

Harvey Schmidt is a composer and lyricist whose distinctive musical voice shaped American musical theatre from the 1960s onward. His collaboration with lyricist Tom Jones produced enduring works that blend folk sensibilities with sophisticated harmonic language, earning him recognition as a major voice in the American musical.

Why we love this

This single selection from Schmidt's score captures the emotional clarity that defines his best work. The song sits in an accessible range while demanding genuine musical maturity from the singer, making it equally valuable for audition preparation and recital performance.

What to expect

The song carries a quiet intensity, asking much of the singer's emotional honesty. Schmidt's melody balances singability with unexpected turns, while the harmony deepens the lyrical meaning without overwhelming the voice.

Who it's for

This selection serves singers preparing auditions, building audition repertoire with authentic Broadway material, or performing in recitals where they want to showcase a song with genuine emotional depth. It works for intermediate to advanced singers comfortable with contemporary musical theatre style and harmonic sophistication.

How to get the most out of it

  • Attend to the song's harmonic shifts; Schmidt's chords reward careful listening and precise intonation from the accompanist.
  • Build the emotional arc deliberately rather than pushing volume; this song succeeds through vulnerability and restraint.
  • Use the original key provided here as your starting reference, then transpose thoughtfully if needed for your range and the character's intent.

How to use it

Include this in an audition book or recital program where you need a character-driven song that demonstrates both vocal control and interpretive maturity. It pairs well alongside other contemporary musical theatre selections that prioritize emotional storytelling over technical display.

Skills your students will build

  • Singing in original keys from authentic Broadway sources
  • Interpreting contemporary musical theatre style with emotional nuance
  • Working with complex jazz-influenced harmony
  • Building audition-ready arrangements with chord symbols for accompanists

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