How Could I Ever Know? (From "The Secret Garden") Sheet Music Preview

How Could I Ever Know? (From "The Secret Garden"): Piano/Vocal/Chords

Item: 00-PSP-000672

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Anything Goes (Anything Goes) * Don't Rain on My Parade (Funny Girl) * People (Funny Girl) * Send in the Clowns (A Little Night Music) * Whatever Lola Wants (Lola Gets) (Damn Yankees) * When You're Good to Mama (Chicago) and more.

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1 Forty Days --:--
2 Summertime --:--
3 The Lady Is A Tramp --:--
4 Without You --:--

Forty Days

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 204
SKU: 00-PSP-000672

More about this title

About the Composer: Lucy Simon

Lucy Simon's compositions for musical theatre combine lyrical sophistication with emotional directness. Her work on The Secret Garden brought her to prominence in American musical theatre, earning her a Tony Award and establishing her as a composer whose music serves the dramatic truth of a scene rather than overshadowing it.

Why we love this

This song sits in the heart of The Secret Garden's emotional arc, giving singers a piece that demands both vocal control and genuine emotional vulnerability. The accompaniment provides harmonic support without overwhelming the voice, making it ideal for building confidence in audition preparation.

What to expect

The song carries quiet longing and the ache of not knowing what lies ahead. It's introspective rather than showy, requiring the singer to inhabit a moment of private vulnerability before stepping into action.

Who it's for

Singers preparing for musical theatre auditions or performance, particularly those with mezzo-soprano, alto, tenor, or baritone voices (volume selection depends on your range). Anyone studying Broadway songs in their original keys and wanting authoritative transcriptions with audition guidance.

How to get the most out of it

  • Listen to the original recording to absorb the phrasing and emotional arc, then find your own interpretation rather than copying it directly.
  • Mark the breath points before your first rehearsal; Simon's melodies sometimes push past expected phrase endings.
  • Balance the legit vocal quality the song requires with allowing natural emotion to shape your dynamics; don't let technical precision flatten the meaning.
  • Work the piano part alongside your vocal line early on so the accompanist isn't playing beneath you but supporting your storytelling.

How to use it

Program this as a solo concert piece that stands alone emotionally, or pair it with other introspective musical theatre selections to build a cohesive recital arc. It works particularly well in audition preparation workshops where singers benefit from studying songs with clear emotional objectives.

Skills your students will build

  • Sustaining legit vocal production through longer phrases
  • Emotional subtext and character intention in musical theatre singing
  • Phrasing across harmonic changes without losing line
  • Working from authentic Broadway vocal scores to understand original compositional intent

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