Princess (From "A Man of No Importance") Sheet Music Preview

Princess (From "A Man of No Importance"): Piano/Vocal/Chords

Item: 00-PSP-000690

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Anything Goes (Anything Goes) * Don't Rain on My Parade (Funny Girl) * People (Funny Girl) * Send in the Clowns (A Little Night Music) * Whatever Lola Wants (Lola Gets) (Damn Yankees) * When You're Good to Mama (Chicago) and more.

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Sample Audio
1 Forty Days --:--
2 Summertime --:--
3 The Lady Is A Tramp --:--
4 Without You --:--

Forty Days

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 204
SKU: 00-PSP-000690

More about this title

About the Composer: Stephen Flaherty

Stephen Flaherty is a composer whose work has shaped contemporary musical theatre, bringing sophisticated orchestration and memorable melodies to Broadway stages. His collaborations with lyricist Lynn Ahrens have produced acclaimed productions that span intimate dramas to sweeping epics, establishing him as a leading voice in the revival and reimagining of theatrical storytelling.

Why we love this

This single song appears in its original key with full piano/vocal/chords transcription, giving singers the exact voicing as heard on Broadway. The accompanying contextual notes and audition tips make it practical for both preparation and performance, whether you're studying the role or preparing material for an important audition.

What to expect

The song carries the dramatic weight and lyrical elegance characteristic of Flaherty's writing, with a piano part that supports rather than overshadows the vocal line. Whether the piece is introspective or soaring, the music invites singers to inhabit character while honoring the composer's architectural choices.

Who it's for

Singers preparing auditions for professional or training company productions, voice students building their musical theatre repertoire, and performers seeking authentic Broadway transcriptions in their appropriate range. This resource serves anyone seeking material that balances artistry with practical audition readiness.

How to get the most out of it

  • Study the character's arc before you sing; the vocal line carries emotional weight that demands specificity in phrasing and interpretation.
  • Use the chord symbols to understand the harmonic movement, which often supports the emotional trajectory of the song.
  • Reference the original recording to hear how dynamics and breath placement shape the melody in its theatrical context.

How to use it

Include this song in a recital dedicated to contemporary musical theatre, pair it with other pieces from the same show for a thematic program, or use it as a centerpiece in an audition package that demonstrates range and emotional depth. The 16-bar cut suggestion provided makes it accessible for time-restricted performance formats.

Skills your students will build

  • authentic Broadway interpretation in the original key
  • character development through vocal performance
  • reading and implementing chord symbols for collaboration with accompanists
  • audition preparation and time-management strategies (using suggested cuts)

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