Much More (From "The Fantasticks") Sheet Music Preview

Much More (From "The Fantasticks"): Piano/Vocal/Chords

Item: 00-PSP-000591

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Anything Goes (Anything Goes) * Don't Rain on My Parade (Funny Girl) * People (Funny Girl) * Send in the Clowns (A Little Night Music) * Whatever Lola Wants (Lola Gets) (Damn Yankees) * When You're Good to Mama (Chicago) and more.

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Sample Audio
1 Forty Days --:--
2 Summertime --:--
3 The Lady Is A Tramp --:--
4 Without You --:--

Forty Days

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 204
SKU: 00-PSP-000591

More about this title

About the Composer: Harvey Schmidt

Harvey Schmidt composed the score for The Fantasticks, the longest-running musical in Off-Broadway history. His gift for melody and intimate storytelling shaped American musical theatre, particularly in the realm of smaller-scale productions that prioritize character and emotion over spectacle. Schmidt's work demonstrates how sophisticated harmony and accessible tunefulness can coexist, making his songs enduringly popular in audition rooms and recital halls.

Why we love this

Much More is quintessential Schmidt: a song that builds emotional intensity through simplicity rather than complexity. The ascending vocal line and modest accompaniment create vulnerability and warmth that singers at all levels can connect with authentically. It's ideal for auditions because it requires only clear intention and honest phrasing, not vocal fireworks.

What to expect

Much More captures a character on the threshold of realization, reaching toward something just beyond grasp. The music is tender and introspective, with a gentle upward trajectory that feels like a quiet revelation rather than a declaration.

Who it's for

Singers preparing auditions for musical theatre roles, community theatre performers, and classical vocalists exploring repertoire beyond opera and art song. The transcription from the original vocal score makes it equally valuable for independent study and collaborative rehearsal with pianists.

How to get the most out of it

  • Shape the ascending melody with consistent breath support; the song's power comes from the steadiness of the line, not from pushing volume.
  • Keep the accompaniment delicate and chamber-like; resist the temptation to over-orchestrate or add rubato that wasn't written.
  • Invest in the lyrics as much as the music. Schmidt's text is conversational and direct, so clarity of diction matters as much as vocal beauty.
  • Use the original key provided to honor Schmidt's intended tessitura and emotional weight.

How to use it

Include this song in an audition recital to showcase your ability to blend legit musical theatre style with nuance and restraint. It also works beautifully in a concert program alongside other intimate character songs from different eras.

Skills your students will build

  • Sustaining legit vocal tone across a rising melodic line
  • Interpreting conversational lyrics with musical phrasing
  • Balancing vocal projection with intimate character work
  • Reading authentic musical theatre vocal scores

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