Love Who You Love (From "A Man of No Importance") Sheet Music Preview

Love Who You Love (From "A Man of No Importance"): Piano/Vocal/Chords

Item: 00-PSP-000621

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Anything Goes (Anything Goes) * Don't Rain on My Parade (Funny Girl) * People (Funny Girl) * Send in the Clowns (A Little Night Music) * Whatever Lola Wants (Lola Gets) (Damn Yankees) * When You're Good to Mama (Chicago) and more.

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1 Forty Days --:--
2 Summertime --:--
3 The Lady Is A Tramp --:--
4 Without You --:--

Forty Days

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 204
SKU: 00-PSP-000621

More about this title

About the Composer: Stephen Flaherty

Stephen Flaherty has emerged as one of Broadway's most versatile and prolific composers, with a career spanning over three decades and multiple Tony Award nominations. His work ranges from intimate character-driven pieces to sweeping orchestral moments, often marked by lyrical melodies that serve singers across a wide range of vocal abilities and types.

Why we love this

This song arrives in its original key with meticulous transcription from the score, eliminating the guesswork that often comes with transposed or adapted versions. For a singer preparing auditions or recitals, having an authoritative, performance-ready vocal score from a composer whose theatrical writing sits so comfortably in the voice makes all the difference.

What to expect

The music carries the sophistication and emotional directness that characterizes Flaherty's theatrical voice, with melodies that feel both contemporary and timeless. Singing from an original vocal score creates an intimacy with the composer's intent that transcribed or simplified versions cannot match.

Who it's for

Singers at intermediate to advanced levels preparing auditions, recitals, or concert performances will find this collection invaluable. Young adults and professionals building a sustainable audition book benefit from having multiple songs in reliable, performance-ready versions.

How to get the most out of it

  • Study the historical context provided in the collection to understand the character's dramatic situation; this shapes phrasing and emotional color in ways that technical practice alone cannot.
  • Use the 16-bar cut suggestions as a starting point for audition preparation, then experiment with alternative cuts that highlight your strongest vocal range and interpretive strengths.
  • Balance the accompaniment's harmonic richness against your vocal line; piano/vocal arrangements can obscure important moments if the singer doesn't project intent and emotional specificity.

How to use it

Include this song in a Broadway recital or concert celebrating contemporary musical theatre, where its emotional sincerity stands effectively alongside both classic standards and newer works. It also works well as a centerpiece in a themed program exploring character-driven storytelling in modern musical composition.

Skills your students will build

  • Interpreting character and subtext from theatrical context
  • Navigating varied harmonic language and chord changes
  • Sustaining legit vocal production through expressive phrasing
  • Working with accompaniment that balances supporting and challenging the vocal line

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