Another Op'nin', Another Show (From "Kiss Me, Kate"): Piano/Vocal/Chords

This collection anchors the Singer's Library with one of Broadway's most performed composers, giving singers direct access to Porter's original vocal scores in their authentic keys. The 16-bar cut suggestions alone make this practical for audition prep, while the contextual notes and song variety create a resource that supports both foundational study and polished performance.

Porter's world is one of sophisticated charm and witty observation, where elegant melody dances alongside clever wordplay. Whether lyrical and romantic or sharp and comedic, these songs shimmer with the polish of mid-century Broadway at its best.

Singers preparing for auditions, recitals, or study in the musical theatre idiom will find this collection invaluable. The specific vocal range designation ensures appropriate key choices, while the historical context and cut suggestions serve both beginners building foundational repertoire and experienced performers refining their craft.

• Honor the comedy in Porter's lyrics. His wit lives in the details, and rushing through the words flattens the humor that makes these songs memorable.
• Approach the harmonic complexity without oversinging it. Porter's sophisticated chords support the line; they don't require vocal gymnastics to convey their elegance.
• Shape phrases around Porter's rhythmic quirks rather than fighting them. His syncopations and unexpected accents are compositional choices that drive both style and meaning.

Program Porter as a showcase of American musical theatre elegance, pairing his songs with contemporaries or creating a full evening around his catalog. These pieces work equally well as audition selections, recital repertoire, or study material in a musical theatre course.

• Interpreting sophisticated lyrics with comedic timing and emotional nuance
• Navigating extended harmonies and chromatic voice leading
• Performing in original keys with vocal authority and stylistic authenticity
• Understanding the relationship between lyrical content and melodic shape