Asking for You (From "Do Re Mi") Sheet Music Preview

Asking for You (From "Do Re Mi"): Piano/Vocal/Chords

Item: 00-PSP-000576

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Corner of the Sky (Pippin) * The Games I Play (Falsettos) * I've Got a Crush on You (Strike Up the Band) * Not While I'm Around (Sweeney Todd) * On the Street Where You Live (My Fair Lady) and more.

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Sample Audio
1 Gliding from Ragtime --:--
2 Johanna from Sweeney Todd --:--
3 Mister Cellophane from Chicago --:--

Gliding from Ragtime

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Sample Video
Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 208
SKU: 00-PSP-000576

More about this title

About the Composer: Jule Styne

Jule Styne (1905-1975) composed the melodies for some of Broadway's most enduring musicals, including Gypsy, Funny Girl, Bells Are Ringing, and Do Re Mi. His gift for writing singable, memorable lines paired with sophisticated harmonies made him a favorite among performers across all vocal ranges. Styne's scores remain central to music theatre repertoire because they reward both careful study and genuine emotional expression.

As a composer, Styne understood vocalists intimately. His melodies sit naturally in the voice, his lyrics align with musical phrasing, and his accompaniments support rather than overshadow the singer. For students preparing auditions or recitals, his work offers both technical challenge and interpretive depth.

Why we love this

Styne's melodies are immediately singable yet sophisticated enough to sustain serious study and performance. This collection presents his songs in their original keys and authentic orchestrations, giving singers direct access to what audiences hear on stage. For auditions especially, working from authoritative transcriptions builds confidence and ensures you're learning the material as the composer intended.

What to expect

Styne's music sparkles with sophistication and wit. His melodies land in surprising places, his rhythms keep you present, and his songs balance confidence with vulnerability. Whether the moment calls for charm, longing, or humor, his writing responds.

Who it's for

Professional and aspiring singers preparing auditions, recitals, or concert performances. Students serious about music theatre repertoire will find this collection invaluable for building knowledge of Styne's output and understanding how his writing sits across different vocal ranges.

How to get the most out of it

  • Study the harmonic language beneath the melody. Styne's accompaniments often suggest interpretive choices through their harmonic movement; follow the changes rather than fighting against them.
  • Anchor your phrasing to the lyrical content first, then shape the line musically. Styne's best writing makes these serve each other.
  • Use the 16-bar cut suggestions as starting points for auditions, but learn the full song to understand dramatic arc and character development.
  • Listen to recorded versions thoughtfully, but avoid copying interpretive choices wholesale. Find what the music asks from your particular voice.

How to use it

Feature a Styne song in a music theatre recital or audition set to demonstrate range and musicality. In a cabaret or concert context, pair multiple Styne numbers to show the breadth of his dramatic range across characters and shows. These arrangements work equally well for intimate studio performances and larger venues.

Skills your students will build

  • singing authentic Broadway material in original keys
  • understanding harmonic language and its interpretive implications
  • preparing audition-ready cuts with dramatic integrity
  • navigating sophisticated rhythmic and melodic writing
  • building familiarity with canonical music theatre repertoire

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