Look to the Rainbow (From "Finian's Rainbow"): Piano/Vocal/Chords
Item: 00-PSP-000562
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Description
Titles: Anything Goes (Anything Goes) * Don't Rain on My Parade (Funny Girl) * People (Funny Girl) * Send in the Clowns (A Little Night Music) * Whatever Lola Wants (Lola Gets) (Damn Yankees) * When You're Good to Mama (Chicago) and more.
Look to the Rainbow (From "Finian's Rainbow"): Piano/Vocal/Chords isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
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Forty Days
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Additional Details
More about this title
About the Composer: Burton Lane
Burton Lane (1912-1997) composed the scores for some of Broadway's most enduring musicals, including Finian's Rainbow, On a Clear Day You Can See Forever, and The Day Before Spring. His melodies are marked by lyrical sophistication and harmonic richness; they sit naturally for singers while rewarding musicians who dig into their chromatic movement and unexpected harmonic turns. Lane's work spans the golden age of musical theatre, and his songs remain central to audition and performance repertoires across all vocal ranges.
Why we love this
This collection anchors your audition prep in the actual vocal scores, not simplified or transposed versions. Burton Lane's melodic writing is genuinely singable yet sophisticated, which means singers build real technique and musicality alongside confidence in the audition room. The contextual notes and cut suggestions save hours of planning while the original keys preserve the theatrical intention of each song.
What to expect
Stepping into the world of mid-century Broadway sophistication. Lane's melodies bloom with warmth and yearning, his harmonies support emotional vulnerability, and the piano writing creates an elegant, theatrical frame around every song. These are songs that feel meaningful to sing, songs that reveal character through music.
Who it's for
Singers preparing auditions, building a recital repertoire, or studying Broadway scores in their original keys and ranges. This resource serves soprano, mezzo-soprano/alto, tenor, and baritone/bass voices, with multiple volumes available for each range. Whether you're a conservatory student, working professional, or dedicated amateur, you'll find authentic transcriptions that honor the composer's intent.
How to get the most out of it
- Study the harmonic movement carefully before focusing on the melody. Lane's songs often contain chromatic voice leading and unexpected chord changes that ground the line emotionally and require intentional singing.
- Use the provided cut suggestions not as shortcuts, but as models for how to shape 16 bars with dramatic arc. They show you where the song's heart lives.
- Honor the lyrics' narrative weight. These are character songs from shows with stories; your phrasing and dynamic choices should reflect what the character wants in that moment, not just the tune.
- Approach the piano part as essential, not accompaniment. Lane's voicings support and color the vocal line; collaborate closely with your accompanist about balance and harmonic clarity.
How to use it
Build an audition set that spans different shows and characters, or create a recital program around Lane's melodic language and theatrical sensibility. These songs pair well with other Golden Age material in concert or cabaret settings. Use them as the foundation of your audition book, knowing each one is transcribed from the original vocal score.
Skills your students will build
- Reading piano/vocal scores with chord symbols
- Singing legit Broadway lines with harmonic awareness
- Interpreting character and narrative through song selection and phrasing
- Building audition books with authentic, performance-ready material
- Understanding era-specific vocal production and stylistic expectation