Back to Before (From "Ragtime") Sheet Music Preview

Back to Before (From "Ragtime"): Piano/Vocal/Chords

Item: 00-PSP-000684

Digital Download
$5.99

One moment…

Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Green Finch and Linnet Bird (Sweeney Todd) * How Could I Ever Know? (Secret Garden) * The Lady Is a Tramp (Babes in Arms) * Look to the Rainbow (Finian's Rainbow) * Someone to Watch Over Me (Oh, Kay!) * Summertime (Porgy and Bess®) and more.

Back to Before (From "Ragtime"): Piano/Vocal/Chords isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
1 Beauty And The Beast --:--
2 Easy To Be Hard --:--
3 Johnny One Note --:--

Beauty And The Beast

0:00
0:00
Sample Video
Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 268
SKU: 00-PSP-000684

More about this title

About the Composer: Stephen Flaherty

Stephen Flaherty has shaped musical theatre for three decades with scores that balance contemporary sensibility with theatrical grandeur. His collaborations with lyricist Lynn Ahrens produced landmark works including Ragtime, Anastasia, and Natasha, Pierre & The Great Comet, each demonstrating his gift for writing singable, emotionally direct melodies that serve the story without sacrificing sophistication.

Flaherty's music has earned Grammy, Tony, and Academy Award recognition. His understanding of vocal writing across ranges and dramatic contexts makes his work invaluable for singers developing audition and performance repertoire.

Why we love this

This volume anchors singers in authentic Broadway material that demands real vocal maturity without relying on technical pyrotechnics. Flaherty's "Back to Before" sits alongside an expertly curated collection that respects both the integrity of the original scores and the practical needs of singers preparing auditions and recitals. The editorial apparatus (historical notes, 16-bar cuts, audition guidance) transforms this from a song collection into a learning tool that teaches musicality and professional standards simultaneously.

What to expect

Opening this collection reveals decades of theatrical storytelling distilled into songs that move between intimacy and spectacle. Flaherty's "Back to Before" carries the bittersweet intelligence of Ragtime itself; surrounding it are standards that range from tender vulnerability to defiant joy, each one written for a singer's voice rather than against it.

Who it's for

Singers preparing Broadway auditions, building recital repertoire, or studying musical theatre interpretation at the intermediate to advanced level. This collection serves both students working toward performance careers and experienced singers deepening their command of the standard American musical theatre canon.

How to get the most out of it

  • Study the historical context provided for each song; understanding the dramatic arc of the show deepens your interpretation and makes your performance choices coherent rather than arbitrary.
  • Use the suggested 16-bar cuts for auditions, but also perform the complete song in practice to understand the full emotional trajectory and how your cut functions within it.
  • Treat the chord symbols as a resource for collaboration with accompanists, but also as a framework for understanding harmonic movement and phrasing in relation to the melody.
  • Reference the original vocal scores whenever possible to check tempo, dynamic, and style markings that might not appear in a simplified transcription.

How to use it

Program this as a song recital in its own right, mixing periods and moods to showcase vocal range and interpretive skill. Alternatively, select individual songs to build a themed program (songs about memory, songs about transformation, songs about resilience) that demonstrates how musical theatre lyrics and melodies serve character development. The 16-bar cuts also make individual selections accessible for student recitals and studio showcases where full-length pieces would be impractical.

Skills your students will build

  • Interpreting character and dramatic context within a song
  • Sustaining legit vocal production in contemporary musical theatre writing
  • Understanding harmonic function and how it supports melodic shape
  • Making informed audition cuts that preserve musical and emotional coherence
  • Sight-reading from chord symbols and lead sheets
  • Balancing fidelity to the original score with individual artistic interpretation

You May Also Like