The Winner Takes It All (From "Mamma Mia!"): Piano/Vocal/Chords
Item: 00-PSP-000617
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Description
Titles: Anything Goes (Anything Goes) * Don't Rain on My Parade (Funny Girl) * People (Funny Girl) * Send in the Clowns (A Little Night Music) * Whatever Lola Wants (Lola Gets) (Damn Yankees) * When You're Good to Mama (Chicago) and more.
The Winner Takes It All (From "Mamma Mia!"): Piano/Vocal/Chords isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
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Forty Days
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Additional Details
More about this title
About the Composer: Benny Andersson
Benny Andersson is a Swedish composer, musician, and member of the legendary pop group ABBA. His work with ABBA defined the sound of 1970s pop music, and his compositions have sold hundreds of millions of records worldwide. Beyond ABBA, Andersson has composed for musical theatre, most notably co-creating the score for "Mamma Mia!" with lyricist and fellow ABBA member Björn Ulvaeus.
Andersson's melodic gift and instinctive understanding of vocal performance make his theatre work exceptionally singable. For music educators and singers, his compositions offer accessible yet sophisticated material that bridges contemporary pop sensibilities with traditional musical theatre craftsmanship.
Why we love this
Andersson's melodies are instantly recognizable and genuinely fun to sing, which means your students will stay engaged from the first rehearsal. The songs in this collection sit brilliantly in the voice when performed in their original keys, eliminating the transposition guesswork that plagues many musical theatre libraries.
What to expect
These songs evoke the warmth and emotional immediacy that made ABBA's music resonate across generations. Whether you're navigating heartbreak, celebrating resilience, or embracing joy, Andersson's melodies land with directness and sincerity, making them rewarding to sing and deeply satisfying to hear.
Who it's for
This collection serves singers preparing auditions, performing in recitals, or studying musical theatre repertoire. It's equally valuable for voice students who want to deepen their knowledge of contemporary Broadway and for professionals maintaining an audition-ready book of accessible, well-loved material.
How to get the most out of it
- Lean into the pop sensibility of Andersson's writing. These melodies thrive on clarity and directness rather than operatic ornamentation; let the shape of the phrase speak for itself.
- Pay attention to rhythmic precision, especially in uptempo numbers. Andersson's gift is often in the groove and pocket, not in elaborate vocal runs.
- Use the contextual notes provided in the collection to understand each song's dramatic moment in its show. Knowing whether you're singing at the height of emotion or in a comedic beat changes everything.
- Trust the original key. Andersson composed these for specific vocal ranges and tessitura; the key choice is part of the song's identity.
How to use it
Program a solo or duet from this collection in a musical theatre recital or cabaret-style concert to showcase contemporary Broadway alongside classic standards. The variety of dramatic contexts means you can build a meaningful arc across multiple songs from the same composer.
Skills your students will build
- Singing in original keys and transposing strategically when necessary
- Connecting lyrics to dramatic intention within musical theatre contexts
- Interpreting pop-influenced vocal lines with clarity and rhythmic precision
- Preparing audition-ready arrangements from published scores
- Understanding the relationship between melody, phrasing, and emotional authenticity