Fifty Million Years Ago (From "Celebration") Sheet Music Preview

Fifty Million Years Ago (From "Celebration"): Piano/Vocal/Chords

Item: 00-PSP-000574

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Corner of the Sky (Pippin) * The Games I Play (Falsettos) * I've Got a Crush on You (Strike Up the Band) * Not While I'm Around (Sweeney Todd) * On the Street Where You Live (My Fair Lady) and more.

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Sample Audio
1 Gliding from Ragtime --:--
2 Johanna from Sweeney Todd --:--
3 Mister Cellophane from Chicago --:--

Gliding from Ragtime

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 208
SKU: 00-PSP-000574

More about this title

About the Composer: Harvey Schmidt

Harvey Schmidt stands alongside Tom Jones as one of musical theatre's most distinctive songwriting teams. Working primarily in the 1960s and 1970s, Schmidt composed the music for shows like The Fantasticks (the longest-running off-Broadway musical ever) and Celebration, creating scores marked by lyrical sophistication and emotional directness that eschewed Broadway convention.

Schmidt's compositional voice prizes melody and harmonic subtlety. His songs reward singers who understand phrasing and dramatic intention, making his work invaluable for vocalists preparing audition material that sits outside the mainstream belt-heavy canon.

Why we love this

This collection captures Broadway in its most sophisticated form: songs that demand genuine musicality rather than volume. Schmidt's melodies sit beautifully in the voice, and pairing them alongside standards like "On the Street Where You Live" and "Not While I'm Around" creates a library where actors find audition material that distinguishes them from the pack.

What to expect

Intimate and sophisticated. Schmidt's music invites close listening and emotional transparency rather than spectacle. His melodies linger after you've sung them, and his harmonies create a sense of elegance that feels both timeless and distinctly theatrical.

Who it's for

Singers preparing auditions, studying repertoire across vocal ranges, or building a recital program that spans musical theatre history. This collection serves both young singers discovering material beyond the obvious standards and experienced performers looking to deepen their understanding of how Broadway songwriting has evolved.

How to get the most out of it

  • Study the original vocal score transcription carefully; Schmidt's accompaniments often carry harmonic weight that informs how to phrase the vocal line.
  • Use the contextual commentary to understand the character's dramatic arc before rehearsing; these songs reward singers who know what emotional moment they're serving.
  • Consult the 16-bar cut suggestions for audition preparation, but also try singing full verses to build stamina and understand Schmidt's extended melodic ideas.
  • Balance legit technique with contemporary recording practice; Schmidt wrote for trained singers, but authenticity means serving the song's intention, not forcing an operatic delivery onto material that breathes more lightly.

How to use it

Pair these songs in a recital to create a thread through musical theatre's more introspective moments. A selection of Schmidt's work alongside contemporaries reveals the full spectrum of what Broadway offered singers in the mid-twentieth century. Use individual selections as audition material, knowing they'll stand out in a room where most vocalists are preparing the same five standards.

Skills your students will build

  • Sustaining longer melodic phrases without compromising legit vocal production
  • Interpreting character intention within sophisticated harmonic contexts
  • Adapting authentic theatrical phrasing to audition formats using provided cut suggestions
  • Understanding regional and historical voice classifications in Broadway context
  • Building audition confidence with material that rewards careful musicianship

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