The Streets of Dublin (From "A Man of No Importance") Sheet Music Preview

The Streets of Dublin (From "A Man of No Importance"): Piano/Vocal/Chords

Item: 00-PSP-000620

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Corner of the Sky (Pippin) * The Games I Play (Falsettos) * I've Got a Crush on You (Strike Up the Band) * Not While I'm Around (Sweeney Todd) * On the Street Where You Live (My Fair Lady) and more.

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Sample Audio
1 Gliding from Ragtime --:--
2 Johanna from Sweeney Todd --:--
3 Mister Cellophane from Chicago --:--

Gliding from Ragtime

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Sample Video
Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 208
SKU: 00-PSP-000620

More about this title

About the Composer: Stephen Flaherty

Stephen Flaherty has composed the scores for some of Broadway's most celebrated contemporary musicals, including Ragtime, Anastasia, and Once on This Island. His gift for memorable melody and emotional directness has made his work accessible to singers across multiple vocal ranges and experience levels, while maintaining the sophistication that professional performers demand.

Why we love this

This collection draws from Flaherty's distinctive catalog of singable, character-driven songs that sit beautifully in the voice when performed in their original keys. The inclusion of detailed audition notes and 16-bar cut suggestions transforms what could be a generic anthology into a practical tool for real preparation and performance.

What to expect

Flaherty's melodies balance accessibility with emotional depth. These songs invite singers into genuine character moments rather than demanding vocal pyrotechnics, creating the kind of honest, human performances that resonate in audition rooms and concert halls alike.

Who it's for

This collection serves singers preparing for auditions, recitals, and performances across classical voice training and musical theatre performance tracks. Whether you're building a competitive audition book or exploring contemporary Broadway repertoire in a voice studio, these songs offer both musical substance and professional presentation.

How to get the most out of it

  • Honor the lyrical phrasing Flaherty builds into his melodies; these songs reward singers who follow the natural contours of the text rather than imposing external rhythmic or dramatic choices.
  • Use the chord symbols to explore harmonic support from an accompanist or pianist, especially during study and rehearsal phases before performance.
  • Study the contextual notes provided for each song to understand the character's emotional arc; this foundation shapes phrasing, dynamics, and interpretation choices.
  • Prepare multiple versions of each song using the suggested 16-bar cuts for auditions while maintaining a full performance version for recital or concert use.

How to use it

Program these songs as part of a mixed recital exploring contemporary Broadway writing, or use individual selections as audition pieces for musical theatre training programs and professional casting calls. Their range of character types and moods makes them valuable for voice students studying interpretation alongside classical repertoire.

Skills your students will build

  • Singing contemporary vocal writing in original keys with accuracy and expression
  • Interpreting character motivation through lyrical text and harmonic context
  • Preparing audition cuts and managing song structure for performance situations
  • Coordinating vocal line with harmonic accompaniment from piano/vocal score notation

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