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Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: Electric Bass Book

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Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band Cover Image

Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: Electric Bass Book

Chorales and Warm-up Exercises for Tone, Technique and Rhythm

By Peter Boonshaft and Chris Bernotas

Item: 00-43954

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Description
Sound Innovations: Ensemble Development for Advanced Concert Band builds upon the concepts in Ensemble Development for Intermediate Concert Band with 399 new exercises that are more technically and musically challenging, including over 70 chorales written by some of today's most renowned composers for concert band, including: Roland Barrett, Chris Bernotas, Andrew Boysen, Ralph Ford, Rossano Galante, David Gillingham, Stephen Melillo, Robert Sheldon, Todd Stalter, Jack Stamp, Randall Standridge, and Michael Story. This book is a valuable resource in helping students grow in their understanding and abilities as ensemble musicians. Exercises are grouped by key and presented in a variety of intermediate to advanced difficulty levels. Where possible, several exercises in the same category are provided to allow variety while accomplishing the same goals. Its flexibility makes it perfect for large ensemble rehearsals, lessons, and studio use. The Ensemble Development Series is also available for Intermediate Band and Young Band. Learn more at www.alfred.com/SIED.
This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: Electric Bass Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
1 Exercise 09 - Scale Pattern --:--
2 Exercise 11 - Chromatic Scale Pattern --:--
3 Exercise 15 - Chromatic Flexibility --:--
4 Exercise 17 - Arpeggios --:--
5 Exercise 37 - Chorale by Jack Stamp --:--
6 Exercise 39 - Chorale by Andrew Boysen, Jr --:--

Exercise 09 - Scale Pattern

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Sample Video
Additional Details
Series: Sound Innovations for Concert Band: Ensemble Development
Publisher: Alfred Music
Page Count: 56
ISBN10: 1-4706-1838-9
ISBN13: 978-1-4706-1838-4
UPC: 038081492896
SKU: 00-43954
Instrumentation: Electric Bass

More about this title

About the Authors

Peter Boonshaft
Peter Loel Boonshaft stands out as one of today's most dynamic voices in music education. He serves as Director of Education for Jupiter Band Instruments and is Professor Emeritus of Music at Hofstra University, where he was selected for the Center for Scholarly Research and Academic Excellence. His influence extends globally through speaking engagements and conducting appearances in all fifty states and internationally.

Recognition of his contributions includes numerous prestigious honors. Boonshaft received the inaugural "George M. Parks Award for Leadership in Music Education" from the National Association for Music Education and Music For All. He holds memberships in Pi Kappa Lambda and Alpha Chi honor societies and has earned the University of Hartford's Regent's Award twice, along with that institution's Outstanding Music Educator Award. Additional distinctions include three National Endowment for the Arts "Artist in Residence" appointments, the Al G. Wright Award of Distinction from Women Band Directors International, and three Honorary Life Memberships in the Tri-M Music Honor Society.

His career reflects deep commitment to music education at multiple levels. Boonshaft previously taught at Moravian College and the University of Hartford while founding and directing both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. He completed graduate studies in music education and conducting, earning a Doctor of Musical Arts degree along with a Bachelor of Music (Summa Cum Laude) and holding a Certificate from the Kodály Musical Training Institute. His "Boonshaft's Blog" continues to reach and inspire music educators nationwide.

Chris Bernotas

Why we love this

This advanced book moves beyond general ensemble technique into genuine musical expression, drawing on over 70 chorales from composers who know what makes concert band writing sing. The progression from technical exercises into sophisticated chorale literature keeps electric bass players engaged and challenged, while the flexibility of format means you can pull what you need for any rehearsal context without feeling locked into a prescribed sequence.

What to expect

Moving through these exercises and chorales feels like gaining access to a master class in harmonic thinking. The variety across keys and styles keeps the ear engaged, and the presence of recognizable contemporary composers lends legitimacy and artistry to every page.

Who it's for

Advanced concert band electric bass players ready to tackle more complex harmonic progressions and ensemble responsibilities. Directors building ensembles at the intermediate-advanced level who want their bass section to develop genuine musicianship alongside technical facility.

How to get the most out of it

  • Anchor the bass line with clear articulation on the roots and guide tones in chorale sections; this is where ensemble cohesion either locks or falls apart.
  • Treat the technical exercises as fingerboard studies rather than purely rhythmic drills, focusing on intonation accuracy across position shifts.
  • Balance your tone to sit below the pitch but support the band's harmonic foundation without muddiness; listen for clarity in the concert master's line above you.

How to use it

Use these chorale selections as the foundation for concert band repertoire that demands real bass line independence. The organized exercise structure works equally well in section rehearsals and full ensemble contexts, letting you build bass section strength before tackling the major works on your concert calendar.

Skills your students will build

  • Reading and executing exercises across multiple keys with intermediate to advanced technical demands
  • Harmonic awareness and voice leading through chorale literature
  • Ensemble balance and support roles within concert band texture
  • Intonation control across position shifts and harmonic changes
  • Musical expression and phrasing in chorale-based contexts

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