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Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: Bassoon Book

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Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band Cover Image

Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: Bassoon Book

Chorales and Warm-up Exercises for Tone, Technique and Rhythm

By Peter Boonshaft and Chris Bernotas

Item: 00-43930

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Sound Innovations: Ensemble Development for Advanced Concert Band builds upon the concepts in Ensemble Development for Intermediate Concert Band with 399 new exercises that are more technically and musically challenging, including over 70 chorales written by some of today's most renowned composers for concert band, including: Roland Barrett, Chris Bernotas, Andrew Boysen, Ralph Ford, Rossano Galante, David Gillingham, Stephen Melillo, Robert Sheldon, Todd Stalter, Jack Stamp, Randall Standridge, and Michael Story. This book is a valuable resource in helping students grow in their understanding and abilities as ensemble musicians. Exercises are grouped by key and presented in a variety of intermediate to advanced difficulty levels. Where possible, several exercises in the same category are provided to allow variety while accomplishing the same goals. Its flexibility makes it perfect for large ensemble rehearsals, lessons, and studio use. The Ensemble Development Series is also available for Intermediate Band and Young Band. Learn more at www.alfred.com/SIED.
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Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: Bassoon Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
1 Exercise 09 - Scale Pattern --:--
2 Exercise 11 - Chromatic Scale Pattern --:--
3 Exercise 15 - Chromatic Flexibility --:--
4 Exercise 17 - Arpeggios --:--
5 Exercise 37 - Chorale by Jack Stamp --:--
6 Exercise 39 - Chorale by Andrew Boysen, Jr --:--

Exercise 09 - Scale Pattern

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Sample Video
Additional Details
Series: Sound Innovations for Concert Band: Ensemble Development
Publisher: Alfred Music
Page Count: 56
ISBN10: 1-4706-1814-1
ISBN13: 978-1-4706-1814-8
UPC: 038081492650
SKU: 00-43930
Instrumentation: Bassoon

More about this title

About the Authors

Peter Boonshaft
Peter Loel Boonshaft stands as one of today's most dynamic voices in music education. Recognized nationally and internationally, he serves as Director of Education for Jupiter Band Instruments and reaches educators worldwide through his weekly "Boonshaft's Blog." His speaking and conducting invitations have taken him to all fifty states and across the globe.

His achievements have garnered extraordinary recognition. Boonshaft received the inaugural "George M. Parks Award for Leadership in Music Education" from the National Association for Music Education and Music For All. He has been honored with official proclamations from five state governors, a Certificate of Appreciation from former President Ronald Reagan, and has performed for former Presidents George H. W. Bush and Bill Clinton as well as former British Prime Minister Margaret Thatcher. His academic credentials include membership in Pi Kappa Lambda and Alpha Chi, along with multiple prestigious awards including the University of Hartford's Regent's Award and Outstanding Music Educator Award, three National Endowment for the Arts "Artist in Residence" selections, and the Al G. Wright Award of Distinction from Women Band Directors International.

Boonshaft earned his Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts degrees, plus a Certificate from the Kodály Musical Training Institute through a Connecticut General Fellowship. He is Professor Emeritus of Music at Hofstra University and previously taught at both Moravian College and the University of Hartford. He founded and directed the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble, establishing himself as both an innovative educator and ensemble leader.

Chris Bernotas

Why we love this

The progression from intermediate to advanced repertoire here feels intentional and musically substantive, not arbitrary. Having chorales written by composers like David Gillingham, Robert Sheldon, and Jack Stamp means your students aren't just warming up; they're engaging with serious musical voices writing at your level. The 399 exercises organized by key give you genuine choice in rehearsal rather than a locked-in sequence.

What to expect

This is serious ensemble work that respects your students' growing musicianship. The chorales especially carry real compositional voice; you're not just executing patterns, you're interpreting written music from composers who understand band sound. There's a satisfying progression that builds confidence without feeling patronizing.

Who it's for

Advanced concert band bassoonists who have solidified fundamentals and are ready for exercises that deepen intonation control, ensemble listening, and musicality at a higher level. Directors of advanced groups will find this essential for targeted sectional and full-band work that doesn't feel like remedial drilling.

How to get the most out of it

  • Move through exercises in the same category before jumping to a new key; the repetition builds security in intonation and voicing while accomplishing the same ensemble goals with musical variety.
  • Use the chorales by established composers as a bridge between technical work and full concert repertoire; they reward attention to phrasing and blend in ways that isolated exercises cannot.
  • Select exercises that address specific challenges you're hearing in your ensemble that week, rather than marching through the book sequentially, so the work feels immediately purposeful.
  • Play the same exercise at different tempos across rehearsals to develop flexibility and confidence in each key before moving on.

How to use it

Use the chorales as standalone concert repertoire or as featured moments within a larger program, particularly when you want to showcase the lyrical capabilities of your wind section. The technical exercises serve as the backbone of rehearsal warm-ups and sectional work throughout the season, targeted to the specific keys and challenges in your concert repertoire.

Skills your students will build

  • Reading and performing in all major and minor keys with secure intonation
  • Balancing and blending within the woodwind section across dynamic and textural ranges
  • Phrasing and interpreting written melodic lines by established composers
  • Harmonic awareness and voice leading in four-part writing
  • Technical facility at intermediate to advanced difficulty levels
  • Ensemble precision and entrances across varied rhythmic contexts

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