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Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: Baritone B.C. Book

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Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: Baritone B.C. Book

Chorales and Warm-up Exercises for Tone, Technique and Rhythm

By Peter Boonshaft and Chris Bernotas

Item: 00-43948

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Sound Innovations: Ensemble Development for Advanced Concert Band builds upon the concepts in Ensemble Development for Intermediate Concert Band with 399 new exercises that are more technically and musically challenging, including over 70 chorales written by some of today's most renowned composers for concert band, including: Roland Barrett, Chris Bernotas, Andrew Boysen, Ralph Ford, Rossano Galante, David Gillingham, Stephen Melillo, Robert Sheldon, Todd Stalter, Jack Stamp, Randall Standridge, and Michael Story. This book is a valuable resource in helping students grow in their understanding and abilities as ensemble musicians. Exercises are grouped by key and presented in a variety of intermediate to advanced difficulty levels. Where possible, several exercises in the same category are provided to allow variety while accomplishing the same goals. Its flexibility makes it perfect for large ensemble rehearsals, lessons, and studio use. The Ensemble Development Series is also available for Intermediate Band and Young Band. Learn more at www.alfred.com/SIED.
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Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: Baritone B.C. Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
1 Exercise 09 - Scale Pattern --:--
2 Exercise 11 - Chromatic Scale Pattern --:--
3 Exercise 15 - Chromatic Flexibility --:--
4 Exercise 17 - Arpeggios --:--
5 Exercise 37 - Chorale by Jack Stamp --:--
6 Exercise 39 - Chorale by Andrew Boysen, Jr --:--

Exercise 09 - Scale Pattern

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Sample Video
Additional Details
Series: Sound Innovations for Concert Band: Ensemble Development
Publisher: Alfred Music
Page Count: 56
ISBN10: 1-4706-1832-X
ISBN13: 978-1-4706-1832-2
UPC: 038081492834
SKU: 00-43948
Instrumentation: Baritone B.C.

More about this title

About the Authors

Peter Boonshaft
Peter Loel Boonshaft stands as one of music education's most dynamic voices today. As Director of Education for Jupiter Band Instruments, he reaches educators worldwide through his acclaimed weekly blog while maintaining a rigorous schedule of speaking engagements and conducting appearances across all fifty states and internationally.

His contributions to music education have earned him numerous prestigious honors. The National Association for Music Education and Music For All recognized him as the inaugural recipient of the George M. Parks Award for Leadership in Music Education. He holds memberships in Pi Kappa Lambda and Alpha Chi, and has been selected three times as a National Endowment for the Arts Artist in Residence. Additional recognition includes the Al G. Wright Award of Distinction from Women Band Directors International, honorary life memberships in the Tri-M Music Honor Society, and the Center for Scholarly Research and Academic Excellence at Hofstra University, where he serves as Professor Emeritus of Music.

Beyond the classroom, Dr. Boonshaft has performed for notable figures including former Presidents George H. W. Bush and Bill Clinton, as well as former Prime Minister Margaret Thatcher. He holds degrees including a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts, along with a Certificate from the Kodály Musical Training Institute. Throughout his career at Moravian College and the University of Hartford, he founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble.

Chris Bernotas

Why we love this

This book treats advanced baritone players as serious ensemble musicians, not as afterthoughts in the section. The 399 exercises move beyond unison drill into genuine musical challenge, and the 70 original chorales by established concert band composers like David Gillingham, Robert Sheldon, and Jack Stamp make daily rehearsal feel like programming quality literature. The key-organized structure lets you target specific intonation and articulation problems while the variety keeps rehearsals fresh across the entire season.

What to expect

These exercises breathe like real music, especially the chorales by composers who understand how baritones function within the ensemble texture. You're working on technique, yes, but through phrases that resonate, harmonies that resolve with purpose, and compositional voice-leading that teaches musicianship organically.

Who it's for

Advanced concert band baritone players who are ready to move beyond basic exercise collections into genuine musicianship work. This book serves equally well in section rehearsals, private lessons, and full ensemble warm-ups, making it essential for directors working with experienced students aiming for college auditions or all-state levels.

How to get the most out of it

  • Lock the harmonic tuning by having baritones anchor the chord progression alongside trombones and lower woodwinds; use the chorales as harmonic reference points rather than standalone melodies.
  • Approach the exercises grouped by key as intonation studies first, musical expression second. Advanced students notice immediately when the chord doesn't breathe.
  • Rotate which baritone voices lead the unison passages to build ownership across the section and expose intonation blind spots.
  • Use the provided variety within each category to address the same technical goal from multiple angles in a single rehearsal, then return to the strongest version for polish.

How to use it

Build weekly rehearsal schedules around one key area per session, rotating between technical and musical chorales to balance mechanical growth with expressive development. The organized structure also makes this invaluable for sectional coaching during concert preparation, letting you isolate intonation or balance issues before bringing the band back together.

Skills your students will build

  • Reading and performing in multiple keys with secure intonation
  • Harmonic function and chord awareness in ensemble context
  • Sustained tone quality and breath control at varied dynamic levels
  • Articulation clarity and consistency with section partners
  • Transitioning smoothly between legato and marked articulation styles
  • Sight-reading fluency across intermediate to advanced repertoire

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