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Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: Flute 2 Book

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Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: Flute 2 Book

Chorales and Warm-up Exercises for Tone, Technique and Rhythm

By Peter Boonshaft and Chris Bernotas

Item: 00-43928

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Sound Innovations: Ensemble Development for Advanced Concert Band builds upon the concepts in Ensemble Development for Intermediate Concert Band with 399 new exercises that are more technically and musically challenging, including over 70 chorales written by some of today's most renowned composers for concert band, including: Roland Barrett, Chris Bernotas, Andrew Boysen, Ralph Ford, Rossano Galante, David Gillingham, Stephen Melillo, Robert Sheldon, Todd Stalter, Jack Stamp, Randall Standridge, and Michael Story. This book is a valuable resource in helping students grow in their understanding and abilities as ensemble musicians. Exercises are grouped by key and presented in a variety of intermediate to advanced difficulty levels. Where possible, several exercises in the same category are provided to allow variety while accomplishing the same goals. Its flexibility makes it perfect for large ensemble rehearsals, lessons, and studio use. The Ensemble Development Series is also available for Intermediate Band and Young Band. Learn more at www.alfred.com/SIED.
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Sample Pages

Sample Audio
1 Exercise 09 - Scale Pattern --:--
2 Exercise 11 - Chromatic Scale Pattern --:--
3 Exercise 15 - Chromatic Flexibility --:--
4 Exercise 17 - Arpeggios --:--
5 Exercise 37 - Chorale by Jack Stamp --:--
6 Exercise 39 - Chorale by Andrew Boysen, Jr --:--

Exercise 09 - Scale Pattern

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Additional Details
Series: Sound Innovations for Concert Band: Ensemble Development
Publisher: Alfred Music
Page Count: 56
ISBN10: 1-4706-1812-5
ISBN13: 978-1-4706-1812-4
UPC: 038081492636
SKU: 00-43928
Instrumentation: Flute 2

More about this title

About the Authors

Peter Boonshaft
Peter Loel Boonshaft stands out as one of today's most compelling voices in music education. He serves as Director of Education for Jupiter Band Instruments and is Professor Emeritus of Music at Hofstra University, where he was selected for the Center for Scholarly Research and Academic Excellence. His weekly blog "Boonshaft's Blog" continues to reach and inspire music educators across the country.

Recognition of his leadership comes from numerous prestigious sources. The National Association for Music Education and Music For All honored him as the inaugural recipient of the George M. Parks Award for Leadership in Music Education. He has been awarded membership in Pi Kappa Lambda and Alpha Chi, received the University of Hartford's Regent's Award twice along with its Outstanding Music Educator Award, and earned the Al G. Wright Award of Distinction from Women Band Directors International. He has also served three times as a National Endowment for the Arts "Artist in Residence" and received three Honorary Life Memberships in the Tri-M Music Honor Society.

His credentials and experience underscore his expertise. Boonshaft holds a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts degree, plus a Certificate from the Kodály Musical Training Institute. He previously taught at Moravian College and the University of Hartford, and founded both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. His speaking and conducting engagements have taken him to all fifty states and internationally, with performances for former Presidents Clinton and George H. W. Bush, among other dignitaries.

Chris Bernotas

Why we love this

This book delivers sustained technical growth without sacrificing musical purpose. The 70-plus chorales written by industry-leading composers (Gillingham, Stamp, Standridge, Story, and others) ensure your students encounter genuinely compelling music while building fundamentals, not just grinding through exercises.

What to expect

Each exercise breathes with intention rather than mechanical repetition. The chorales by renowned composers bring genuine artistry to what could be routine drill work, creating moments where students recognize themselves developing as musicians, not just improving on their instrument.

Who it's for

Advanced concert band flute sections ready to deepen their musicianship and technical vocabulary. This book serves players who have moved beyond foundational method work and need structured, compositionally rich material that challenges both technique and interpretation.

How to get the most out of it

  • Rotate through the chorales by composer to expose students to distinct compositional voices and stylistic approaches within a single rehearsal.
  • Target specific key exercises during sectional work before full ensemble run-throughs, allowing Flute 2 to solidify intonation and passagework before ensemble blend becomes the focus.
  • Assign consecutive exercises from the same key category as homework to reinforce muscle memory without breaking musical context.
  • Use the varying difficulty levels within each key to differentiate within your section, pairing stronger readers with more advanced patterns while others consolidate the foundational version.

How to use it

Integrate these exercises into your weekly sectional rehearsals as a parallel track to full ensemble repertoire, or draw from the chorales as standalone concert openers and interludes. The breadth of composers and keys makes this an ideal resource for the entire concert season.

Skills your students will build

  • Reading and playing in multiple keys at the intermediate to advanced level
  • Intonation control and blend within the Flute 2 section
  • Sight-reading fluency across varied rhythmic and scalar patterns
  • Musical phrasing and expression within ensemble contexts
  • Technique-building in rapid passagework and intervallic jumps
  • Understanding and performing works by contemporary and established composers

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