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Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: B-flat Tenor Saxophone Book

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Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: B-flat Tenor Saxophone Book

Chorales and Warm-up Exercises for Tone, Technique and Rhythm

By Peter Boonshaft and Chris Bernotas

Item: 00-43938

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Sound Innovations: Ensemble Development for Advanced Concert Band builds upon the concepts in Ensemble Development for Intermediate Concert Band with 399 new exercises that are more technically and musically challenging, including over 70 chorales written by some of today's most renowned composers for concert band, including: Roland Barrett, Chris Bernotas, Andrew Boysen, Ralph Ford, Rossano Galante, David Gillingham, Stephen Melillo, Robert Sheldon, Todd Stalter, Jack Stamp, Randall Standridge, and Michael Story. This book is a valuable resource in helping students grow in their understanding and abilities as ensemble musicians. Exercises are grouped by key and presented in a variety of intermediate to advanced difficulty levels. Where possible, several exercises in the same category are provided to allow variety while accomplishing the same goals. Its flexibility makes it perfect for large ensemble rehearsals, lessons, and studio use. The Ensemble Development Series is also available for Intermediate Band and Young Band. Learn more at www.alfred.com/SIED.
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Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: B-flat Tenor Saxophone Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
1 Exercise 09 - Scale Pattern --:--
2 Exercise 11 - Chromatic Scale Pattern --:--
3 Exercise 15 - Chromatic Flexibility --:--
4 Exercise 17 - Arpeggios --:--
5 Exercise 37 - Chorale by Jack Stamp --:--
6 Exercise 39 - Chorale by Andrew Boysen, Jr --:--

Exercise 09 - Scale Pattern

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Sample Video
Additional Details
Series: Sound Innovations for Concert Band: Ensemble Development
Publisher: Alfred Music
Page Count: 56
ISBN10: 1-4706-1822-2
ISBN13: 978-1-4706-1822-3
UPC: 038081492735
SKU: 00-43938
Instrumentation: B-flat Tenor Saxophone

More about this title

About the Authors

Peter Boonshaft
Peter Loel Boonshaft is widely recognized as one of today's most dynamic and influential voices in music education. Currently serving as Director of Education for Jupiter Band Instruments, he maintains a global presence as a sought-after speaker and conductor who has performed across all fifty states and internationally. His popular weekly "Boonshaft's Blog" reaches music educators worldwide with inspiration and practical guidance.

Throughout his career, Boonshaft has accumulated numerous prestigious honors. He became the inaugural recipient of the George M. Parks Award for Leadership in Music Education from the National Association for Music Education and Music For All. Additional recognition includes membership in Pi Kappa Lambda and Alpha Chi honor societies, multiple selections as a National Endowment for the Arts Artist in Residence, and three honorary life memberships in the Tri-M Music Honor Society. He has also received proclamations from five state governors, a Certificate of Appreciation from former President Ronald Reagan, and has performed for former Presidents George H. W. Bush and Bill Clinton as well as former Prime Minister Margaret Thatcher.

Boonshaft holds a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts degree, along with a Certificate from the Kodály Musical Training Institute. Before his current role, he taught at Moravian College and the University of Hartford, where he later became Professor Emeritus of Music and received both the Regent's Award and Outstanding Music Educator Award. He founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble.

Chris Bernotas

Why we love this

This book delivers what intermediate-to-advanced tenor saxophonists genuinely need: focused technical work paired with substantial chorale material from some of the finest concert band composers writing today. The 399 exercises are organized strategically by key and difficulty level, which means you can target specific intonation challenges or rhythmic concepts without feeling like you're plowing through disconnected drills. The inclusion of over 70 chorales transforms what could be rote technique work into genuine musicianship building.

What to expect

Moving through these exercises feels like systematic growth rather than busywork. The chorales by contemporary composers bring an immediate musical payoff; you're not just practicing intervals or rhythms in isolation, but inhabiting real musical phrases with expressive intent. Each exercise builds on concepts introduced in the intermediate book while significantly raising the technical and harmonic demands.

Who it's for

Advanced concert band tenor saxophonists who have moved beyond foundational technique and are ready to develop sophisticated intonation, ensemble awareness, and stylistic versatility. This book serves players preparing for all-state auditions, jazz-influenced phrasing demands, and the musical demands of advanced concert band literature.

How to get the most out of it

  • Use the chorale section strategically in ensemble rehearsals to address blend and intonation issues across your saxophone section; these works by Stamp, Sheldon, and others give students real music to connect with rather than abstract exercises.
  • Work through exercises in the same key consecutively to deepen harmonic understanding and allow students to build confidence within a tonal center before shifting to new material.
  • Layer the exercises into sectional rehearsals early in the week, then return to the same keys in full ensemble context to reinforce how individual technique translates to section sound.
  • Select individual exercises that mirror rhythmic or intervallic challenges appearing in your concert repertoire so students see direct application beyond the method book.

How to use it

Integrate the chorale material into your regular ensemble warm-up rotation, cycling through different keys each week to maintain consistent focus on intonation and blend. Use targeted exercises from the book as pre-rehearsal work or sectional assignments that connect directly to challenges you hear in your current concert repertoire, turning individual preparation into ensemble refinement.

Skills your students will build

  • Reading and intonating chromaticism and accidentals in multiple keys
  • Maintaining consistent tone quality across ranges and dynamic levels
  • Responding to harmonic function within ensemble voicings
  • Phrase shaping and stylistic interpretation across contemporary concert band idioms
  • Counting and executing intermediate-to-advanced rhythmic figures in ensemble context
  • Balancing solo voice awareness with blend and section responsibility

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