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Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: E-flat Alto Clarinet Book

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Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: E-flat Alto Clarinet Book

Chorales and Warm-up Exercises for Tone, Technique and Rhythm

By Peter Boonshaft and Chris Bernotas

Item: 00-43934

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Description
Sound Innovations: Ensemble Development for Advanced Concert Band builds upon the concepts in Ensemble Development for Intermediate Concert Band with 399 new exercises that are more technically and musically challenging, including over 70 chorales written by some of today's most renowned composers for concert band, including: Roland Barrett, Chris Bernotas, Andrew Boysen, Ralph Ford, Rossano Galante, David Gillingham, Stephen Melillo, Robert Sheldon, Todd Stalter, Jack Stamp, Randall Standridge, and Michael Story. This book is a valuable resource in helping students grow in their understanding and abilities as ensemble musicians. Exercises are grouped by key and presented in a variety of intermediate to advanced difficulty levels. Where possible, several exercises in the same category are provided to allow variety while accomplishing the same goals. Its flexibility makes it perfect for large ensemble rehearsals, lessons, and studio use. The Ensemble Development Series is also available for Intermediate Band and Young Band. Learn more at www.alfred.com/SIED.
This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: E-flat Alto Clarinet Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
1 Exercise 09 - Scale Pattern --:--
2 Exercise 11 - Chromatic Scale Pattern --:--
3 Exercise 15 - Chromatic Flexibility --:--
4 Exercise 17 - Arpeggios --:--
5 Exercise 37 - Chorale by Jack Stamp --:--
6 Exercise 39 - Chorale by Andrew Boysen, Jr --:--

Exercise 09 - Scale Pattern

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Sample Video
Additional Details
Series: Sound Innovations for Concert Band: Ensemble Development
Publisher: Alfred Music
Page Count: 56
ISBN10: 1-4706-1818-4
ISBN13: 978-1-4706-1818-6
UPC: 038081492698
SKU: 00-43934
Instrumentation: E-flat Alto Clarinet

More about this title

About the Authors

Peter Boonshaft
Peter Loel Boonshaft stands as one of today's most dynamic voices in music education. He currently serves as Director of Education for Jupiter Band Instruments and is a Professor Emeritus of Music at Hofstra University. His influence extends far beyond his institutional roles through his widely followed "Boonshaft's Blog," which reaches music educators across the country with practical inspiration and guidance.

His accomplishments have earned him national recognition at the highest levels. Boonshaft received the inaugural "George M. Parks Award for Leadership in Music Education" from the National Association for Music Education and Music For All. He has been honored with official proclamations from five state governors, a Certificate of Appreciation from former President Ronald Reagan, and has performed for Presidents George H. W. Bush and Bill Clinton as well as former British Prime Minister Margaret Thatcher. Additional distinctions include membership in Pi Kappa Lambda and Alpha Chi honor societies; three selections as a National Endowment for the Arts "Artist in Residence"; and the Al G. Wright Award of Distinction from Women Band Directors International.

Beyond his current positions, Boonshaft founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. He previously taught at Moravian College and the University of Hartford, where he earned multiple institutional awards. His formal training includes a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and a Doctor of Musical Arts degree, along with a Certificate from the Kodály Musical Training Institute.

Chris Bernotas

Why we love this

This collection distinguishes itself by pairing systematic technical development with music written by the composers your students will actually perform in concert. The chorale selections from Boysen, Gillingham, Sheldon, Stamp, and others anchor the exercises in real repertoire rather than isolating skill-building exercises from musical context. Alto clarinet players gain the confidence and precision they need for advanced ensemble work without feeling removed from the actual music the band will play.

What to expect

These exercises carry the weight and sophistication of actual concert band repertoire rather than generic drill material. The chorales by contemporary masters bring warmth and musical purpose to every page, transforming what could be mechanical practice into genuine musical problem-solving that alto clarinetists rarely encounter in standard method books.

Who it's for

Advanced concert band alto clarinet players who are ready for technically demanding material and benefit from the structured progression this book provides. Directors seeking a comprehensive resource that develops ensemble precision, intonation, and musicality without requiring supplementary materials. Studio teachers working with advanced clarinetists who play in band and want integrated technical and musical growth.

How to get the most out of it

  • Work the chorales in smaller sectional groups before bringing them into full rehearsal, allowing alto clarinet players to balance their tone against the ensemble sound at a manageable tempo.
  • Sequence your exercises by key center to build harmonic vocabulary across rehearsals, rather than jumping randomly through the book; this deepens intonation stability and ear training.
  • Rotate through the provided exercises in the same category to maintain engagement while reinforcing the same technical concept, preventing repetition from becoming stale.
  • Use the online access through MakeMusic Cloud to display exercises on a rehearsal projector, freeing players to focus on listening and responding to the ensemble rather than reading from individual parts.

How to use it

Deploy the exercises as part of your regular warm-up rotation to build ensemble fundamentals without disrupting concert preparation. Select chorales that share musical or harmonic language with pieces you're rehearsing, using them as anchors for intonation and balance concepts the band needs. Save the more challenging exercises and chorales as material for sectional rehearsals during the final weeks of concert preparation when ensemble players need reinforcement in precision and blend.

Skills your students will build

  • Playing in multiple keys with secure intonation and consistent tone quality
  • Blending and balancing within the woodwind section and across the full ensemble
  • Reading and responding to dynamic and articulation markings in context
  • Executing rhythmic figures at intermediate to advanced difficulty levels
  • Understanding harmonic function through chorale-based musical problems
  • Transferring technical facility to real concert band repertoire
  • Listening critically to ensemble sound and adjusting individual contribution

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