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Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: B-flat Clarinet 1 Book

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Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: B-flat Clarinet 1 Book

Chorales and Warm-up Exercises for Tone, Technique and Rhythm

By Peter Boonshaft and Chris Bernotas

Item: 00-43931

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Sound Innovations: Ensemble Development for Advanced Concert Band builds upon the concepts in Ensemble Development for Intermediate Concert Band with 399 new exercises that are more technically and musically challenging, including over 70 chorales written by some of today's most renowned composers for concert band, including: Roland Barrett, Chris Bernotas, Andrew Boysen, Ralph Ford, Rossano Galante, David Gillingham, Stephen Melillo, Robert Sheldon, Todd Stalter, Jack Stamp, Randall Standridge, and Michael Story. This book is a valuable resource in helping students grow in their understanding and abilities as ensemble musicians. Exercises are grouped by key and presented in a variety of intermediate to advanced difficulty levels. Where possible, several exercises in the same category are provided to allow variety while accomplishing the same goals. Its flexibility makes it perfect for large ensemble rehearsals, lessons, and studio use. The Ensemble Development Series is also available for Intermediate Band and Young Band. Learn more at www.alfred.com/SIED.
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Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: B-flat Clarinet 1 Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
1 Exercise 09 - Scale Pattern --:--
2 Exercise 11 - Chromatic Scale Pattern --:--
3 Exercise 15 - Chromatic Flexibility --:--
4 Exercise 17 - Arpeggios --:--
5 Exercise 37 - Chorale by Jack Stamp --:--
6 Exercise 39 - Chorale by Andrew Boysen, Jr --:--

Exercise 09 - Scale Pattern

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Sample Video
Additional Details
Series: Sound Innovations for Concert Band: Ensemble Development
Publisher: Alfred Music
Page Count: 56
ISBN10: 1-4706-1815-X
ISBN13: 978-1-4706-1815-5
UPC: 038081492667
SKU: 00-43931
Instrumentation: B-flat Clarinet 1

More about this title

About the Authors

Peter Boonshaft
Peter Loel Boonshaft stands out as one of the most dynamic voices in music education, having been invited to speak and conduct throughout the United States and internationally. Currently serving as Director of Education for Jupiter Band Instruments, he reaches educators worldwide through his influential weekly blog. His work has earned him recognition from the highest levels, including performing for multiple U.S. presidents and former British Prime Minister Margaret Thatcher, as well as receiving official proclamations from five state governors.

His accolades reflect a career of exceptional leadership and service. Dr. Boonshaft received the inaugural George M. Parks Award for Leadership in Music Education from the National Association for Music Education and Music For All. He holds memberships in Pi Kappa Lambda and Alpha Chi honor societies, was twice awarded the University of Hartford Regent's Award and its Outstanding Music Educator Award, and received the Al G. Wright Award of Distinction from Women Band Directors International. Additionally, he was selected three times as a National Endowment for the Arts Artist in Residence and three times earned Honorary Life Membership in the Tri-M Music Honor Society.

Dr. Boonshaft earned his Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts degrees, plus a certificate from the Kodály Musical Training Institute following a Connecticut General Fellowship. He served as Professor of Music at the University of Hartford (now Professor Emeritus) and previously taught at Moravian College. He founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble.

Chris Bernotas

Why we love this

The expert commission of chorales from a roster of today's most accomplished concert band composers (Gillingham, Sheldon, Stamp, Standridge, Story, and others) gives students genuine musical literature to refine their musicianship, not generic filler exercises. The strategic grouping by key with multiple difficulty options means you can target specific technical work without sacrificing musical substance, and the blend of 399 exercises with 70+ chorales keeps rehearsals both focused and engaging.

What to expect

Purposeful and substantive. These exercises breathe more than generic drill material; the chorales offer real compositional voice and harmonic color that reward careful listening and expressive playing. You're building toward the kind of awareness that transforms a competent band into a genuinely musical ensemble.

Who it's for

Advanced high school and college concert band clarinetists who have moved beyond foundational technique and are ready to deepen their ensemble awareness and musicianship. This book serves sections and individual players aiming to refine intonation, balance, phrasing, and collaborative listening under more sophisticated musical demands.

How to get the most out of it

  • Lock into the harmonic relationships the composers intend by listening to how the full ensemble balances around your part. These chorales reward attention to voice leading and blend.
  • Pace your work through the key-grouped exercises to build confidence systematically; don't skip levels, as the progression from intermediate to advanced is deliberate.
  • Use the variety of exercises in each category to reinforce technique without monotony. Repeating the same task in different configurations strengthens retention and adaptability.
  • Balance accuracy with musicality in the chorales; composers like Gillingham and Sheldon wrote these to sound, not just to teach.

How to use it

Anchor your sectional rehearsals on key-specific exercises matched to your current repertoire's tonal centers, then rotate through the chorales as warm-ups or closing material where the band can hear how individual technical work translates to beautiful ensemble sound. The 56-page depth supports focused work across an entire season without becoming repetitive.

Skills your students will build

  • Ensemble intonation and pitch flexibility across multiple keys
  • Voice leading awareness within harmonic progressions
  • Stylistic interpretation of contemporary concert band music
  • Technical facility in intermediate to advanced key signatures
  • Balance and blend responsibility as an upper woodwind voice
  • Quick transposition and adaptation to different tonal centers

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