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Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: Flute 1 Book

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Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: Flute 1 Book

Chorales and Warm-up Exercises for Tone, Technique and Rhythm

By Peter Boonshaft and Chris Bernotas

Item: 00-43927

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Sound Innovations: Ensemble Development for Advanced Concert Band builds upon the concepts in Ensemble Development for Intermediate Concert Band with 399 new exercises that are more technically and musically challenging, including over 70 chorales written by some of today's most renowned composers for concert band, including: Roland Barrett, Chris Bernotas, Andrew Boysen, Ralph Ford, Rossano Galante, David Gillingham, Stephen Melillo, Robert Sheldon, Todd Stalter, Jack Stamp, Randall Standridge, and Michael Story. This book is a valuable resource in helping students grow in their understanding and abilities as ensemble musicians. Exercises are grouped by key and presented in a variety of intermediate to advanced difficulty levels. Where possible, several exercises in the same category are provided to allow variety while accomplishing the same goals. Its flexibility makes it perfect for large ensemble rehearsals, lessons, and studio use. The Ensemble Development Series is also available for Intermediate Band and Young Band. Learn more at www.alfred.com/SIED.
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Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: Flute 1 Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
1 Exercise 09 - Scale Pattern --:--
2 Exercise 11 - Chromatic Scale Pattern --:--
3 Exercise 15 - Chromatic Flexibility --:--
4 Exercise 17 - Arpeggios --:--
5 Exercise 37 - Chorale by Jack Stamp --:--
6 Exercise 39 - Chorale by Andrew Boysen, Jr --:--

Exercise 09 - Scale Pattern

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Sample Video
Additional Details
Series: Sound Innovations for Concert Band: Ensemble Development
Publisher: Alfred Music
Page Count: 56
ISBN10: 1-4706-1811-7
ISBN13: 978-1-4706-1811-7
UPC: 038081492629
SKU: 00-43927
Instrumentation: Flute 1

More about this title

About the Authors

Peter Boonshaft
Peter Loel Boonshaft stands as one of today's most dynamic voices in music education. He serves as Director of Education for Jupiter Band Instruments and is Professor Emeritus of Music at Hofstra University, where he was selected for the Center for Scholarly Research and Academic Excellence. His influence extends through "Boonshaft's Blog," a weekly resource that reaches music educators nationwide.

His achievements have earned him widespread recognition. The National Association for Music Education and Music For All honored him as the inaugural recipient of the George M. Parks Award for Leadership in Music Education. He holds memberships in Pi Kappa Lambda and Alpha Chi, has received the University of Hartford's Regent's Award twice, and earned that institution's Outstanding Music Educator Award. Additional accolades include three selections as a National Endowment for the Arts "Artist in Residence," three Honorary Life Memberships in the Tri-M Music Honor Society, and the Al G. Wright Award of Distinction from Women Band Directors International. State governors have issued proclamations in his honor, and he has performed for and received recognition from former Presidents Ronald Reagan, George H. W. Bush, and Bill Clinton, as well as former Prime Minister Margaret Thatcher.

Dr. Boonshaft has been invited to speak and conduct throughout the United States and internationally. Earlier in his career, he served on the faculties of Moravian College and the University of Hartford. He founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. His educational credentials include a Bachelor of Music (Summa Cum Laude), a Master of Music Education in Conducting, and a Doctor of Musical Arts degree, along with a Certificate from the Kodály Musical Training Institute.

Chris Bernotas

Why we love this

This book arrives at exactly the moment advanced flute players need it most: when they're ready to deepen their musicianship beyond technical facility. The 399 exercises move well beyond unison warm-ups, offering genuine musical challenges through 70 chorales by composers who know band writing at its finest (Gillingham, Sheldon, Stamp, and others). Because exercises cluster by key and difficulty level, you can target specific ensemble needs without forcing every student through identical material.

What to expect

Opening this book reveals a shift from mechanical exercise to genuine music-making. The chorales, crafted by respected contemporary composers, offer harmonic substance and phrasing opportunities that feel rewarding rather than obligatory. You're building ensemble precision and intonation awareness, but through pieces that musicians actually want to play.

Who it's for

Advanced high school and college flute players who have moved beyond foundational ensemble skills and are ready to tackle more intricate musical and technical demands. This resource serves flute sections within concert bands, allowing first-chair players and advanced students to deepen their musicianship while the ensemble develops as a whole.

How to get the most out of it

  • Rotate through different exercises in the same key rather than drilling the same one daily; this reinforces tonal stability while keeping rehearsal fresh.
  • Use the chorale section strategically during sectionals to isolate balance and intonation issues unique to advanced flute writing.
  • Blend Flute 1 and Flute 2 material from corresponding exercises to build section cohesion and test harmonic accuracy.
  • Select exercises that mirror the technical demands in concert repertoire you're rehearsing that week, turning them into targeted problem-solving tools rather than generic warm-ups.

How to use it

Weave these exercises into the final five minutes of rehearsal to establish tonal foundation before diving into concert repertoire, or assign specific chorales to sections as part of your week's preparation to address harmonic balance issues in full-ensemble pieces. The progression from intermediate to advanced difficulty allows directors to stretch flute sections throughout the year, building confidence before regional competitions or spring concerts.

Skills your students will build

  • Reading and performing exercises in varied keys and difficulty levels
  • Intonation precision within harmonic contexts
  • Blending and balance within flute sections and across the ensemble
  • Phrasing and interpretation through chorale singing
  • Technical accuracy in intermediate to advanced passages
  • Understanding functional harmony through performance

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