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Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: B-flat Trumpet 2 Book

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Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: B-flat Trumpet 2 Book

Chorales and Warm-up Exercises for Tone, Technique and Rhythm

By Peter Boonshaft and Chris Bernotas

Item: 00-43941

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Description
Sound Innovations: Ensemble Development for Advanced Concert Band builds upon the concepts in Ensemble Development for Intermediate Concert Band with 399 new exercises that are more technically and musically challenging, including over 70 chorales written by some of today's most renowned composers for concert band, including: Roland Barrett, Chris Bernotas, Andrew Boysen, Ralph Ford, Rossano Galante, David Gillingham, Stephen Melillo, Robert Sheldon, Todd Stalter, Jack Stamp, Randall Standridge, and Michael Story. This book is a valuable resource in helping students grow in their understanding and abilities as ensemble musicians. Exercises are grouped by key and presented in a variety of intermediate to advanced difficulty levels. Where possible, several exercises in the same category are provided to allow variety while accomplishing the same goals. Its flexibility makes it perfect for large ensemble rehearsals, lessons, and studio use. The Ensemble Development Series is also available for Intermediate Band and Young Band. Learn more at www.alfred.com/SIED.
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Sample Pages

Sample Audio
1 Exercise 09 - Scale Pattern --:--
2 Exercise 11 - Chromatic Scale Pattern --:--
3 Exercise 15 - Chromatic Flexibility --:--
4 Exercise 17 - Arpeggios --:--
5 Exercise 37 - Chorale by Jack Stamp --:--
6 Exercise 39 - Chorale by Andrew Boysen, Jr --:--

Exercise 09 - Scale Pattern

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Additional Details
Series: Sound Innovations for Concert Band: Ensemble Development
Publisher: Alfred Music
Page Count: 56
ISBN10: 1-4706-1825-7
ISBN13: 978-1-4706-1825-4
UPC: 038081492766
SKU: 00-43941
Instrumentation: B-flat Trumpet 2

More about this title

About the Authors

Peter Boonshaft
Peter Loel Boonshaft is recognized as one of today's most dynamic voices in music education. As Director of Education for Jupiter Band Instruments, he has earned invitations to conduct and speak across the United States and internationally. His widely followed "Boonshaft's Blog" reaches music educators globally with practical insights and inspiration.

His contributions to the field have garnered extraordinary recognition. Boonshaft received the inaugural "George M. Parks Award for Leadership in Music Education" from the National Association for Music Education and Music For All. He holds memberships in Pi Kappa Lambda and Alpha Chi, and has been named a National Endowment for the Arts "Artist in Residence" three times. Additional honors include the Al G. Wright Award of Distinction from Women Band Directors International and selection for the Center for Scholarly Research and Academic Excellence at Hofstra University, where he is Professor Emeritus of Music.

Boonshaft's career spans distinguished academic positions at Moravian College and the University of Hartford, where he twice received the Regent's Award and the Outstanding Music Educator Award. He founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. His formal training includes a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts degree, along with a Certificate from the Kodály Musical Training Institute. He has also received official recognition from five state governors and performed for multiple sitting and former U.S. presidents as well as former Prime Minister Margaret Thatcher.

Chris Bernotas

Why we love this

This book delivers genuine substance: 399 exercises organized by key with multiple difficulty levels means you can target the exact concept your section needs without repetition fatigue. The chorale collection alone, drawn from living composers including Robert Sheldon, Jack Stamp, and David Gillingham, gives your advanced players exposure to contemporary concert band writing while reinforcing harmonic thinking.

What to expect

Opening this book, you encounter a curated collection of musical ideas from the composers shaping today's concert band repertoire. The exercises move beyond mechanical drill into genuine musicality; the chorales in particular feel like distilled moments from the larger concert works your band is likely to perform, giving context and purpose to each line you play.

Who it's for

Advanced high school and college trumpet players who need structured, composer-driven material that bridges fundamentals and the demands of current concert band literature. This book serves trumpet 2 players who are ready to engage with sophisticated harmonic writing and want to understand how composers approach voice leading and balance within ensembles.

How to get the most out of it

  • Rotate through chorales in your warm-up rotation rather than working them consecutively; this prevents fatigue and keeps each chorale fresh when players encounter it again.
  • Select exercises that address your section's specific intonation or balance challenges in the week before rehearsing them with the full ensemble, so trumpet 2 enters ensemble rehearsal with solid fundamentals.
  • Use the key-grouped organization to align technical work with your concert repertoire's harmonic vocabulary, reinforcing the same tonal center across method work and performance music.
  • Assign chorales as listening assignments before rehearsal so students hear the harmonic context and composer intention before reading their part.

How to use it

Integrate sections of this book into your warm-up structure throughout the season, selecting exercises and chorales that reinforce the harmonic language and technical demands of your concert program. The advanced difficulty level makes it ideal for sectional rehearsals in the second half of the year, when your ensemble has built stamina and is ready to refine intonation and blend in a more sophisticated musical setting.

Skills your students will build

  • Reading and playing in multiple keys with secure intonation
  • Balancing harmonic function within four-part chorale textures
  • Sustaining long tones with consistent tone quality and support
  • Responding to harmonic context and composer-specific voice leading
  • Sight-reading intermediate to advanced technical figures
  • Understanding how trumpet 2 supports both inner harmony and melodic lines

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