Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band Cover Image

Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: Tuba Book

$9.99 USD
Sale price  $9.99 USD Regular price 
Skip to product information
Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band Cover Image

Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: Tuba Book

Chorales and Warm-up Exercises for Tone, Technique and Rhythm

By Peter Boonshaft and Chris Bernotas

Item: 00-43950

makemusic Cloud badge
$9.99
Shipped

One moment…

Description
Sound Innovations: Ensemble Development for Advanced Concert Band builds upon the concepts in Ensemble Development for Intermediate Concert Band with 399 new exercises that are more technically and musically challenging, including over 70 chorales written by some of today's most renowned composers for concert band, including: Roland Barrett, Chris Bernotas, Andrew Boysen, Ralph Ford, Rossano Galante, David Gillingham, Stephen Melillo, Robert Sheldon, Todd Stalter, Jack Stamp, Randall Standridge, and Michael Story. This book is a valuable resource in helping students grow in their understanding and abilities as ensemble musicians. Exercises are grouped by key and presented in a variety of intermediate to advanced difficulty levels. Where possible, several exercises in the same category are provided to allow variety while accomplishing the same goals. Its flexibility makes it perfect for large ensemble rehearsals, lessons, and studio use. The Ensemble Development Series is also available for Intermediate Band and Young Band. Learn more at www.alfred.com/SIED.
This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for Concert Band: Ensemble Development for Advanced Concert Band: Tuba Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
1 Exercise 09 - Scale Pattern --:--
2 Exercise 11 - Chromatic Scale Pattern --:--
3 Exercise 15 - Chromatic Flexibility --:--
4 Exercise 17 - Arpeggios --:--
5 Exercise 37 - Chorale by Jack Stamp --:--
6 Exercise 39 - Chorale by Andrew Boysen, Jr --:--

Exercise 09 - Scale Pattern

0:00
0:00
Sample Video
Additional Details
Series: Sound Innovations for Concert Band: Ensemble Development
Publisher: Alfred Music
Page Count: 56
ISBN10: 1-4706-1834-6
ISBN13: 978-1-4706-1834-6
UPC: 038081492858
SKU: 00-43950
Instrumentation: Tuba

More about this title

About the Authors

Peter Boonshaft
Peter Loel Boonshaft stands among today's most dynamic voices in music education, having been invited to speak and conduct throughout the United States and internationally. As Director of Education for Jupiter Band Instruments, he reaches educators weekly through his popular "Boonshaft's Blog." His impact on the field has earned him recognition from the highest levels, including the inaugural "George M. Parks Award for Leadership in Music Education" from the National Association for Music Education and Music For All.

His accomplishments have garnered extraordinary honors spanning his career. Dr. Boonshaft has received official proclamations from five state governors and a Certificate of Appreciation from former President Ronald Reagan. He has performed for former Presidents George H. W. Bush and Bill Clinton, as well as former British Prime Minister Margaret Thatcher. His academic credentials include membership in Pi Kappa Lambda and Alpha Chi honor societies, along with multiple awards from the University of Hartford, where he is Professor Emeritus of Music. Additional recognitions include three selections as a National Endowment for the Arts "Artist in Residence," three honorary life memberships in the Tri-M Music Honor Society, and the Al G. Wright Award of Distinction from Women Band Directors International.

Dr. Boonshaft holds degrees including a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts. He studied at the Kodály Musical Training Institute through a Connecticut General Fellowship and holds certification from that program. Throughout his career, he served on the faculties of Moravian College and the University of Hartford, while also founding and directing both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble.

Chris Bernotas

Why we love this

The sheer breadth of newly composed chorales from today's most respected band composers sets this resource apart. Rather than recycling familiar material, your students encounter fresh musical voices from Boysen, Sheldon, Stamp, and others, each bringing distinctive compositional approaches to chorale writing. The strategic grouping by key and difficulty level transforms what could be rote drilling into genuine musical problem-solving.

What to expect

Opening this book is like stepping into a master class series. The chorales demand that you listen beyond your own line to the architecture of the whole voicing, noticing how your sustained tones create foundation, how your passing tones connect harmonic ideas, and how intonation precision becomes expressive rather than merely mechanical. The scope feels purposeful rather than repetitive, with enough variety to maintain engagement across weeks of consistent study.

Who it's for

Advanced concert band tuba players preparing for regional festival, all-state, and college auditions need a systematic source for ensemble-focused technical work. This book serves studio instructors working with serious students and band directors building ensemble maturity in their advanced sections. The resource suits any tuba player ready to move beyond intermediate chorales into genuine musical complexity.

How to get the most out of it

  • Rotate through multiple exercises in the same category during rehearsal weeks. This repetition of musical concepts through different harmonic and melodic lenses deepens understanding far more than plowing through single examples.
  • Select chorales by specific composers as ear-training homework. Students discover how individual writers voice progressions differently and begin recognizing compositional fingerprints.
  • Use the intermediate-level exercises as warm-up material even for advanced groups. A technically easier passage can spotlight intonation challenges, blend issues, or phrasing decisions that merit rehearsal focus.
  • Pair the written exercises with small-group sectional work in lessons. The tuba part benefits from close attention to voice-leading within the harmonic context, revealing how the line supports rather than dominates the ensemble sound.

How to use it

Integrate these materials into your rehearsal sectional plans for the final third of the season, when ensemble fundamentals should be polished to performance standard. The 399 exercises provide scaffolded material perfect for weekly ensemble sectional work, allowing your tuba section to develop independence while strengthening the band's overall harmonic security. Studio instructors find the progressive structure ideal for a semester-long curriculum that moves students steadily from intermediate mastery into advanced musicianship.

Skills your students will build

  • Voice-leading in four-part harmonic contexts
  • Intonation control in sustained melodic passages
  • Reading exercises across multiple keys at intermediate-advanced levels
  • Recognition of compositional style and harmonic language from diverse contemporary composers
  • Ensemble balance and blend in chorale textures
  • Technical articulation and rhythmic precision in varied musical styles

You May Also Like