Something Sort of Grandish (From "Finian's Rainbow") Sheet Music Preview

Something Sort of Grandish (From "Finian's Rainbow"): Piano/Vocal/Chords

Item: 00-PSP-000596

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Corner of the Sky (Pippin) * The Games I Play (Falsettos) * I've Got a Crush on You (Strike Up the Band) * Not While I'm Around (Sweeney Todd) * On the Street Where You Live (My Fair Lady) and more.

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Sample Audio
1 Gliding from Ragtime --:--
2 Johanna from Sweeney Todd --:--
3 Mister Cellophane from Chicago --:--

Gliding from Ragtime

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Sample Video
Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 208
SKU: 00-PSP-000596

More about this title

About the Composer: Burton Lane

Burton Lane (1912–1997) composed the music for some of Broadway's most enduring scores, bringing sophisticated harmonic language and memorable melodic lines to the stage. His work on Finian's Rainbow, written with lyricist E.Y. Harburg, became a landmark in American musical theatre for its blend of whimsy, social commentary, and genuinely inventive music that demands vocal artistry from performers.

Why we love this

This collection captures "Something Sort of Grandish" alongside dozens of other Broadway standards in their original keys and authentic vocal score transcriptions, giving singers the exact versions they'll encounter in audition rooms and on stage. The editorial apparatus of historical context, audition tips, and 16-bar cut suggestions transforms a song library into a genuine study tool that respects both the music and the singer's preparation process.

What to expect

Sophisticated and theatrical. Lane's melodies have a conversational quality that feels both intimate and grandly theatrical, with harmonies that surprise and delight. The music invites singers to bring intelligence and personality to the score.

Who it's for

Singers preparing for auditions, college musical theatre programs, and working performers who need Broadway standards in their original keys with scholarly support. This is essential for anyone serious about the audition process or building a performance-ready musical theatre repertoire.

How to get the most out of it

  • Study the song's harmonic language before memorizing lyrics; Lane's chromatic movement and unexpected chord changes require secure musical understanding to avoid sounding uncertain
  • Use the provided 16-bar cuts to develop multiple audition versions, then practice switching between the cut and the full song to build flexibility under pressure
  • Anchor the character work in the lyrical content; Lane's melodies often sit in unexpected places in the vocal range, which rewards singers who commit to storytelling rather than simply placing the notes

How to use it

Use individual selections from this collection to supplement audition coaching or musical theatre curricula; the authenticated transcriptions and audition guidance make each song immediately useful for performance preparation. The breadth across multiple shows allows singers to quickly locate repertoire suited to their range and audition needs.

Skills your students will build

  • Singing contemporary Broadway scores with accurate harmonic support
  • Understanding of original vocal score transcriptions versus simplified or transposed versions
  • Audition preparation and interpretation of musical theatre repertoire in authentic keys
  • Reading piano/vocal/chord notation with performance-level accuracy

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