Mister Cellophane
(From "Chicago"): Piano/Vocal/Chords
Item: 00-PSP-000604
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Description
Titles: Corner of the Sky (Pippin) * The Games I Play (Falsettos) * I've Got a Crush on You (Strike Up the Band) * Not While I'm Around (Sweeney Todd) * On the Street Where You Live (My Fair Lady) and more.
Mister Cellophane
(From "Chicago"): Piano/Vocal/Chords isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
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Sample Audio
Gliding from Ragtime
Sample Video
Additional Details
More about this title
About the Composer: John Kander
John Kander has defined American musical theatre since the 1960s, creating some of Broadway's most sophisticated scores in collaboration with lyricist Fred Ebb. His music combines jazz-inflected harmonies, memorable melodic lines, and dramatic intelligence that serve the emotional arc of each song. Works like Chicago, Cabaret, and Follies showcase his gift for writing songs that work equally well as character moments and standalone performances.
Kander's compositional approach prizes clarity and singability without sacrificing harmonic complexity. His songs have become audition staples and concert favorites because they demand real vocal technique and interpretive maturity from performers, rewarding singers who bring genuine emotion to the material.
Why we love this
This collection anchors Broadway repertoire in authentic vocal scores rather than reductions or arrangements, which means singers work with the harmonies and keys exactly as Kander intended them. The contextual notes and audition guidance throughout transform this from a songbook into a pedagogical resource that helps vocalists understand not just what to sing, but why these songs matter and how to approach them strategically.
What to expect
These songs carry the wit, sophistication, and emotional depth that define Kander's best work. Whether exploring the vulnerability of a character moment or the theatrical punch of a showstopper, each song has the harmonic and melodic substance to sustain serious artistic interpretation.
Who it's for
Singers preparing auditions for musical theatre roles, studying Broadway repertoire in voice lessons, or building a recital program drawn from the American songbook. This collection serves vocalists who need authentic, performance-ready versions of canonical Broadway songs in their proper keys.
How to get the most out of it
- Study the historical and contextual notes before learning the melody; understanding the character's journey and the dramatic moment informs phrasing and emotional coloring from your first read.
- Use the 16-bar cut suggestions as a starting point, but listen to how the song functions in its original show context to decide what cuts serve your audition or performance best.
- Honor Kander's harmonic language by committing fully to supported singing through the jazz-influenced chords; approximating the pitch here loses the sophistication of his writing.
- Work with a collaborative pianist who can follow your interpretation of the melody while maintaining the integrity of the accompaniment figures Kander composed.
How to use it
Program selections from this collection as standalone audition pieces, as part of a themed recital (pairing Kander songs with other American musical theatre composers), or as study material for singers working through the Broadway canon chronologically. The range of shows and vocal styles represented means you can find songs that suit different vocal weights, ages, and character types.
Skills your students will build
- Authentic interpretation of Broadway character songs
- Navigation of jazz-influenced harmonies and extended chords
- Strategic use of audition cuts and song arrangement
- Understanding of dramatic context and subtext in performance
- Stylistic flexibility across decades of musical theatre idiom