It's All Right with Me (From "Can-Can") Sheet Music Preview

It's All Right with Me (From "Can-Can"): Piano/Vocal/Chords

Item: 00-PSP-000584

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Comedy Tonight (A Funny Thing Happened on the Way to the Forum) * Get Me to the Church on Time (My Fair Lady) * If Ever I Would Leave You (Camelot) * Make Them Hear You (Ragtime, The Musical) * They Call the Wind Maria (Paint Your Wagon) * Try to Remember (The Fantasticks) and more.

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Sample Audio
1 Camelot from Camelot --:--
2 Ive Grown Accustomed To Her Face from My Fair Lady --:--
3 Too Darn Hot from Kiss Me Kate --:--

Camelot from Camelot

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Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 224
SKU: 00-PSP-000584

More about this title

About the Composer: Cole Porter

Cole Porter (1891-1964) was an American composer and lyricist whose wit, sophisticated harmonic language, and gift for memorable melodies defined Broadway's golden age. Born into a wealthy Indiana family, Porter studied at Yale and Harvard before moving to Paris, where he composed songs that blended classical training with jazz influences and urbane humor. His shows, including "Anything Goes," "Kiss Me, Kate," and "Can-Can," showcased his ability to write both comedic patter songs and deeply expressive ballads, making him one of the most recorded and performed composers in musical theatre history.

Porter's music remains central to vocal training and audition repertoire because of its technical demands and emotional range. His songs require singers to navigate chromatic harmony, rhythmic sophistication, and character-driven interpretation, while his lyrics reveal character and advance narrative in ways that reward thoughtful performance.

Why we love this

This collection puts Porter's craft directly in singers' hands in their original keys, eliminating the guesswork that comes from transposed or approximated scores. The 16-bar cut suggestions and audition guidance acknowledge that singers need both the complete song for musical understanding and practical shortcuts for real performance situations. Porter's harmonic sophistication and rhythmic precision demand precise study, and having authoritative transcriptions from the original vocal scores makes the difference between approximate and excellent preparation.

What to expect

Porter's music balances sophistication with accessibility. His melodies are instantly singable, yet his harmonies contain surprises that keep the ear engaged. These songs feel both of their era and timeless, blending theatrical charm with genuine emotional weight.

Who it's for

This collection serves singers preparing auditions, vocal students building audition repertoire across a range of song styles, and performers assembling programs that highlight Broadway's songwriting legacy. Whether you're studying Porter's compositional technique or selecting material for a showcase, having multiple songs in authentic keys and with professional guidance makes this resource essential.

How to get the most out of it

  • Study the harmonic movement carefully; Porter's chromatic voice-leading often contains unexpected resolutions that reshape how you shape the line. Mark these moments so they feel intentional rather than accidental.
  • Pay attention to the lyric stress and natural speech patterns, especially in his patter songs. Porter's setting of text is so precise that following his rhythmic and melodic choices illuminates character and humor.
  • Use the song's dramatic arc to inform your dynamic choices. Many Porter songs move from intimate storytelling to emotional peaks; let the music guide where you build intensity and where you pull back.
  • Practice the accompaniment patterns provided so you understand the harmonic context fully. This deepens your interpretation and helps you make confident choices when working with accompanists unfamiliar with the score.

How to use it

Program Porter songs in recitals to demonstrate range and musicality; "It's All Right with Me" pairs well with other standards of the 1950s for a cohesive set that shows command of classic Broadway vocal style. Use individual songs from this collection as audition material across multiple genres, or build a full program around Porter's catalog to showcase his prolific output and varied approaches to character and story.

Skills your students will build

  • Reading and interpreting chromatic harmonic movement
  • Connecting lyric phrasing to musical phrasing in sophisticated rhythmic settings
  • Navigating Broadway harmony within original vocal score context
  • Building audition-ready interpretations with cut suggestions and performance guidance
  • Understanding Porter's compositional approach across comedic and ballad styles

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