Into the Fire (From "The Scarlet Pimpernel") Sheet Music Preview

Into the Fire (From "The Scarlet Pimpernel"): Piano/Vocal/Chords

Item: 00-PSP-000674

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Corner of the Sky (Pippin) * The Games I Play (Falsettos) * I've Got a Crush on You (Strike Up the Band) * Not While I'm Around (Sweeney Todd) * On the Street Where You Live (My Fair Lady) and more.

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Sample Audio
1 Gliding from Ragtime --:--
2 Johanna from Sweeney Todd --:--
3 Mister Cellophane from Chicago --:--

Gliding from Ragtime

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Sample Video
Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 208
SKU: 00-PSP-000674

More about this title

About the Composer: Frank Wildhorn

Frank Wildhorn is a composer whose theatrical works have earned him recognition across Broadway, film, and concert stages. He brings orchestral sophistication and melodic accessibility to musical storytelling, crafting scores that balance emotional depth with singability for performers across all vocal ranges.

Why we love this

This collection gives singers authentic transcriptions in original keys from a composer known for writing vocal lines that sit beautifully on the voice while demanding genuine artistry. The inclusion of "Into the Fire" alongside classics from Rodgers and Hammerstein, Stephen Sondheim, and others creates a cohesive learning resource that connects contemporary Broadway storytelling to theatrical tradition.

What to expect

These songs embody the emotional storytelling that defines musical theatre at its best. Whether you're navigating the urgent vulnerability of a character in crisis or the sophisticated charm of a romantic moment, each piece invites you to discover how melody and harmony work together to illuminate human experience on stage.

Who it's for

This collection serves singers preparing for auditions, building a competitive audition book, or deepening their knowledge of Broadway repertoire across multiple eras. Vocal instructors and coaches will find it invaluable for lesson planning and performance study with intermediate to advanced students.

How to get the most out of it

  • Study the contextual notes provided for each song; understanding the character's situation and emotional arc directly shapes phrasing and dynamic choices.
  • Use the 16-bar cut suggestions to prepare audition versions, but practice the full song first to internalize the complete musical thought before trimming.
  • Work with the chord symbols to shape your interpretation with an accompanist; they reveal harmonic momentum that often guides tempo and breath placement decisions.

How to use it

Feature this collection in studio recitals showcasing Broadway artistry, or use it alongside classical and art song repertoire to demonstrate how contemporary musical theatre extends the vocalist's expressive range. The historical span of songs makes it ideal for thematic programming that traces how composers approach character development across decades of theatrical song.

Skills your students will build

  • Singing in original keys without transposition
  • Interpreting chord symbols and harmonic movement for phrasing decisions
  • Understanding character context and applying it to vocal delivery
  • Preparing audition cuts while maintaining musical integrity
  • Comparing approaches to similar character types across different composers and shows

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