I Chose Right (From "Baby") Sheet Music Preview

I Chose Right (From "Baby"): Piano/Vocal/Chords

Item: 00-PSP-000640

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Description
For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind.

Titles: Corner of the Sky (Pippin) * The Games I Play (Falsettos) * I've Got a Crush on You (Strike Up the Band) * Not While I'm Around (Sweeney Todd) * On the Street Where You Live (My Fair Lady) and more.

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Sample Audio
1 Gliding from Ragtime --:--
2 Johanna from Sweeney Todd --:--
3 Mister Cellophane from Chicago --:--

Gliding from Ragtime

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Sample Video
Additional Details
Series: Singer's Library of Musical Theatre
Publisher: Alfred Music
Page Count: 208
SKU: 00-PSP-000640

More about this title

About the Composer: David Shire

David Shire is a Tony Award-winning composer who has shaped American musical theatre since the 1970s. His gift for writing intimate, character-driven music has made him a vital voice in contemporary Broadway, from his early collaborations with lyricist Richard Maltby Jr. to his later solo work.

Why we love this

This collection gives singers access to Broadway material in the original keys with scholarly context built in. The inclusion of 16-bar audition cuts and historical notes means students can prepare intelligently for real audition scenarios without hunting across multiple sources.

What to expect

Shire's songs balance emotional sophistication with singability. Whether the song is introspective or comedic, there's an intelligence to his melody writing that rewards careful listening and honest performance, making each piece feel like a genuine window into character rather than a display vehicle.

Who it's for

This collection serves singers preparing for auditions, callbacks, and performance roles across soprano, mezzo-soprano/alto, tenor, and baritone/bass ranges. Voice teachers and musical theatre coaches use it with students building audition books and exploring repertoire across different eras of Broadway.

How to get the most out of it

  • Study the historical and contextual notes provided for each song before learning the melody. Understanding the character's arc and the show's dramatic moment informs your vocal choices and emotional specificity.
  • Use the 16-bar cut suggestions as a starting point, but practice the full song first. Knowing the complete arc helps you sustain character even in a shortened version.
  • Check the original key carefully and transpose only if your range requires it. Shire's harmonic language is deliberate; shifting keys changes the color and intended effect.

How to use it

Extract individual songs for voice recitals, audition preparation showcases, or cabaret-style programming that celebrates Broadway songwriting across decades. Teachers can also assign selections alongside scene study or acting classes to deepen students' understanding of character-driven writing.

Skills your students will build

  • Reading piano/vocal/chord charts with authentic orchestration context
  • Interpreting period and stylistic conventions across decades of Broadway composition
  • Audition-ready preparation including song selection and strategic cutting
  • Sustaining legit musical theatre singing across varied vocal ranges and dramatic styles

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