How Many Women In the World? (from "The Wild Party")                                  Sheet Music Preview

How Many Women In the World? (from "The Wild Party"): Piano/Vocal/Chords

Michael John LaChiusa

Item: 00-XS-0000261

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Description
This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Miracle (See What I Wanna See) * Tom (Hello Again) * Tom Sawyer (Romance Language) * Way Back to Paradise (Marie Christine) * Welcome to My Party (The Wild Party) * When It Ends (The Wild Party).

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Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-XS-0000261

More about this title

About the Composer: Michael John LaChisua

Michael John LaChiusa is a composer whose theatrical music spans nearly three decades of Broadway and off-Broadway productions. His work is distinguished by intimate orchestration, sophisticated harmonic language, and emotional directness, drawing from operatic tradition while remaining thoroughly contemporary.

Why we love this

LaChiusa's songs reward close study at the piano. The harmonic vocabulary is rich without being showy, and the vocal lines sit naturally for singers across multiple voice types and ranges. This collection offers pianists and singers an entry point into distinctly theatrical repertoire that feels both literary and deeply musical.

What to expect

The songs in this collection are intimate and psychologically acute. Whether examining the interior life of a historical figure or capturing a moment of vulnerability, the music reflects character and emotional nuance through vocal melody, harmonic color, and collaborative piano writing that feels essential rather than decorative.

Who it's for

This collection serves pianists and singers preparing recital material from contemporary musical theatre, music theatre students building their audition repertoires, and pianists interested in expanding beyond classical and pop idioms. Directors seeking programming that bridges classical vocal traditions and modern theatrical writing will find substantial material here.

How to get the most out of it

  • Attend to the chord symbols as part of the composition, not as accompaniment notation. LaChiusa's harmonies are integral to the song's meaning and emotional arc.
  • The piano part often carries melodic material alongside the vocal line. Balance clarity of the song's main melody with the pianist's independent musical phrases.
  • Let the lyrical content inform your pacing and dynamic choices. These songs are character-driven and benefit from specificity in how you shape phrases around the text.

How to use it

Program a LaChiusa song in a mixed recital to introduce audiences to distinctive contemporary vocal writing, or build an entire set around his work to showcase the range and sophistication of modern musical theatre composition. These pieces fit naturally alongside both traditional art song and other theatrical repertoire, making them valuable for benefit concerts, educational showcases, or cabaret-style presentations.

Skills your students will build

  • Interpreting contemporary theatrical vocal writing with sophisticated harmony
  • Balancing lyrical specificity with melodic phrasing
  • Collaborative piano playing that honors both vocal and keyboard lines
  • Reading and realizing chord symbols as compositional choices
  • Understanding character motivation as a musical interpretation tool

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