Hello, Lover, Hello (from "Send (who are you? I love you)")                           Sheet Music Preview

Hello, Lover, Hello (from "Send (who are you? I love you)"): Piano/Vocal/Chords

Michael John LaChiusa

Item: 00-XS-0000337

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Description
This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Miracle (See What I Wanna See) * Tom (Hello Again) * Tom Sawyer (Romance Language) * Way Back to Paradise (Marie Christine) * Welcome to My Party (The Wild Party) * When It Ends (The Wild Party).

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Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-XS-0000337

More about this title

About the Composer: Michael John LaChisua

Michael John LaChiusa stands among contemporary musical theatre's most inventive composers, known for intricate orchestrations, sophisticated harmonies, and lyrics that cut to the emotional core of character. His work spans two decades of acclaimed productions including The Wild Party, Marie Christine, and See What I Wanna See, each revealing a composer unafraid of unconventional structures and unflinching emotional honesty.

LaChiusa's music has been championed by major theatres and universities for its artistic ambition and pedagogical richness. His compositional voice draws from classical training, contemporary concert music, and deep knowledge of theatrical storytelling, making his work particularly valuable for singers and pianists seeking songs with real dramatic weight and musical sophistication.

Why we love this

This single song from LaChiusa's expansive collection gives singers and pianists immediate access to his sophisticated harmonic language and character-driven writing without requiring full scores or theatrical context. The piano/vocal/chord format makes it equally useful for a jazz pianist working out voicings, a classical voice student tackling contemporary repertoire, or a music director sketching an arrangement.

What to expect

LaChiusa's melodic writing sits between intimacy and theatricality, never quite settling into easy resolution. The song breathes with the rhythmic elasticity of speech while the harmonies shift with psychological precision, creating moments that feel both conversational and deeply composed.

Who it's for

Singers preparing audition material or contemporary art song repertoire will find a song with genuine theatrical substance and musical craft. Pianists and coaches benefit from the explicit chord symbols, which support both learning and collaborative arrangement-making. Voice teachers seeking songs that reward artistic maturity and harmonic awareness will return to this collection repeatedly.

How to get the most out of it

  • Pay close attention to the harmonic movement in the piano part; LaChiusa's chords often imply emotional subtext that informs phrasing and dynamic shape.
  • The chord symbols provide flexibility for pianists to recompose voicings based on venue, accompanist skill, or artistic intent—treat them as a blueprint rather than a fixed prescription.
  • Lyrical clarity matters here; even if the melodic line sits awkwardly, the words carry the dramatic weight, so prioritize intelligibility over vocal ease.

How to use it

Pair this with other contemporary art songs in a recital focused on 21st-century vocal repertoire, or perform it as part of a cabaret or concert dedicated to musical theatre composers writing outside the commercial mainstream. It works equally well as a showcase piece for voice students ready to tackle music that demands interpretive maturity.

Skills your students will build

  • Sight-reading contemporary harmonic language with extended chords and chromatic movement
  • Interpreting chord symbols as compositional indicators rather than strict harmonic prescriptions
  • Maintaining lyrical clarity and emotional intention through complex rhythmic and harmonic environments
  • Collaborative problem-solving between singer and pianist when navigating non-traditional vocal ranges or phrase structures

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