Way Back to Paradise (from "Marie Christine")                                         Sheet Music Preview

Way Back to Paradise (from "Marie Christine"): Piano/Vocal/Chords

Michael John LaChiusa

Item: 00-XS-0000255

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Description
This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Miracle (See What I Wanna See) * Tom (Hello Again) * Tom Sawyer (Romance Language) * Way Back to Paradise (Marie Christine) * Welcome to My Party (The Wild Party) * When It Ends (The Wild Party).

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Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-XS-0000255

More about this title

About the Composer: Michael John LaChisua

Michael John LaChisua is a composer and lyricist whose work has fundamentally shaped contemporary musical theatre. His shows, which span from the 1990s to the present day, are known for their sophisticated harmonic language, emotional directness, and literary ambition. Pieces like The Wild Party, Marie Christine, and See What I Wanna See have established him as one of the most respected voices in American theatre composition, recognized for creating music that challenges both performers and audiences.

Why we love this

This collection gives singers and pianists access to LaChisua's distinctive musical voice across multiple shows and decades of his work. The songs themselves demonstrate remarkable range: some are intimate character moments, others are ensemble pieces, and many showcase the harmonic sophistication that defines his compositional style. For music theatre programs, this single volume eliminates the hunt across multiple published editions and introduces students to a composer whose work deserves far more classroom and recital presence.

What to expect

These songs occupy territory between classical art song and contemporary musical theatre. They demand vocal maturity and harmonic sophistication from performers while remaining deeply theatrical and character-driven. Whether introspective or dramatic, each piece carries the weight of LaChisua's gift for merging psychological complexity with musical elegance.

Who it's for

This collection serves singers preparing for auditions, recitals, or concert programming who want material beyond the standard musical theatre canon. Music theatre directors building season repertoire will find songs suited to multiple casting needs and dramatic contexts. Piano teachers and accompanists will appreciate access to LaChisua's compositional techniques across a wide range of styles and emotional registers.

How to get the most out of it

  • Honor the lyrical phrases even in songs with complex harmonies. LaChisua writes words and music as a unified whole, so commit to clear diction and let the language shape your phrasing rather than fighting the accompaniment.
  • Explore the harmonic tension in the piano part before deciding on your interpretation. Many of these songs gain their emotional power from dissonance or unexpected chord movement, and your singing should reflect the compositional architecture, not smooth it over.
  • Pay attention to dynamics and register shifts within a single song. LaChisua often moves between sparse, exposed accompaniment and full, rich textures to signal emotional turning points.

How to use it

Program individual songs as part of a musical theatre recital to showcase contemporary American composition alongside standard repertoire. A full concert drawn from this collection offers an opportunity to survey two decades of a single composer's evolution and introduce audiences to shows they may not have encountered. Educators can use selections as teaching pieces for advanced singers developing interpretation skills and harmonic awareness.

Skills your students will build

  • Reading complex harmonic progressions and dissonance
  • Sustaining emotional specificity across extended melodic lines
  • Balancing lyrical clarity with sophisticated accompaniment textures
  • Understanding character development through contemporary musical theatre composition

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