My Husband Was An Army Man (from "First Lady Suite")                                  Sheet Music Preview

My Husband Was An Army Man (from "First Lady Suite"): Piano/Vocal/Chords

Michael John LaChiusa

Item: 00-XS-0000302

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Description
This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Miracle (See What I Wanna See) * Tom (Hello Again) * Tom Sawyer (Romance Language) * Way Back to Paradise (Marie Christine) * Welcome to My Party (The Wild Party) * When It Ends (The Wild Party).

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Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-XS-0000302

More about this title

About the Composer: Michael John LaChisua

Michael John LaChisua is a composer and lyricist whose theatrical works have defined contemporary musical theatre for over three decades. His scores are known for their harmonic sophistication, rhythmic inventiveness, and deeply emotional character writing, drawing from classical music traditions while remaining fully grounded in theatrical storytelling.

Why we love this

This collection captures LaChisua's singular voice across two decades of work, offering singers and pianists direct access to material that ranges from introspective ballads to character-driven comedic songs. The piano writing is singularly rewarding—never merely accompanying, always integral to the song's emotional architecture.

What to expect

These songs inhabit a theatrical world of emotional precision and complex character psychology. Whether introspective or dramatically propulsive, LaChisua's melodies carry the weight of genuine dramatic stakes, and his accompaniments create intimate spaces for vulnerability alongside moments of theatrical showmanship.

Who it's for

Singers preparing audition material, music theatre students exploring contemporary compositional voices, and pianists seeking repertoire that demands both technical skill and interpretive maturity. Directors looking to program lesser-known LaChisua songs alongside his famous work will find essential material here.

How to get the most out of it

  • Study the harmonic language carefully before rehearsing. LaChisua's chords often shift unexpectedly and reward precise voicing from the pianist.
  • Pay attention to the relationship between lyric and melody; his setting of words is rhythmically sophisticated and often mirrors the character's emotional state rather than natural speech patterns.
  • Balance the piano's compositional weight with the vocal line. These are not songs where the piano fades into the background.

How to use it

Curate an evening of songs from this collection to introduce audiences to LaChisua's compositional evolution, or select individual pieces for audition preparation and studio teaching. The breadth of character types and emotional registers makes it possible to build a coherent program around a single performer's range.

Skills your students will build

  • Interpreting complex harmonic progressions in a theatrical context
  • Connecting rhythmically intricate melodic lines to lyrical content
  • Collaborating between singer and pianist as equal partners in storytelling
  • Sight-reading contemporary musical theatre notation and extended harmonic language

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