A Stranger (from "Giant")                                                            Sheet Music Preview

A Stranger (from "Giant"): Piano/Vocal/Chords

Michael John LaChiusa

Item: 00-XS-0000335

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Description
This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Miracle (See What I Wanna See) * Tom (Hello Again) * Tom Sawyer (Romance Language) * Way Back to Paradise (Marie Christine) * Welcome to My Party (The Wild Party) * When It Ends (The Wild Party).

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Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-XS-0000335

More about this title

About the Composer: Michael John LaChisua

Michael John LaChiusa has established himself as one of Broadway's most inventive and formally adventurous composers since the 1990s. His work is marked by sophisticated harmonies, intricate orchestrations, and a gift for character-driven storytelling that refuses easy sentiment or convention.

Why we love this

LaChiusa's songs reward close listening and repeated study. The harmonic language is contemporary without being inaccessible, and each song carries the kind of emotional specificity that makes these pieces invaluable for singers developing interpretive maturity. This collection spans multiple theatrical worlds, giving performers and pianists real variety to explore within a single volume.

What to expect

LaChiusa's music inhabits psychological complexity. These songs live in the spaces between words, where emotion speaks through harmonic tension and melodic shape rather than vocal pyrotechnics. The collection feels less like a songbook and more like an invitation into the private interior worlds of deeply drawn characters.

Who it's for

This collection serves serious music theater students, accomplished pianists comfortable with contemporary harmonic language, and singers preparing audition material or recital repertoire. It appeals equally to directors seeking sophisticated songs with literary depth and to voice teachers working with advanced students.

How to get the most out of it

  • Attend carefully to the chord symbols and harmonic movement; LaChiusa's progressions often shift subtly, and precision in the accompaniment will anchor the vocal line.
  • Allow space for the lyrics to land. These songs favor clarity of text over vocal display, so prioritize diction and phrasing over belting.
  • Study the relationship between melodic contour and harmonic support. Many of these pieces use dissonance or unexpected resolutions to deepen emotional content.

How to use it

Individual songs work beautifully in song recitals focused on contemporary American theater music or in programs exploring character-driven musical storytelling. The collection's breadth also makes it ideal for voice students building a diverse audition portfolio that showcases range and interpretive depth.

Skills your students will build

  • Reading and interpreting complex contemporary harmonies
  • Sustaining legit vocal production through unusual intervallic shapes
  • Balancing lyrical clarity with harmonic sophistication
  • Understanding character motivation as it shapes musical phrasing
  • Collaborating with pianists on interpretive choices in non-traditional song forms

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