The Mistress of the Senator (from "Hello Again")                                     Sheet Music Preview

The Mistress of the Senator (from "Hello Again"): Piano/Vocal/Chords

Michael John LaChiusa

Item: 00-XS-0000294

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Description
This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Miracle (See What I Wanna See) * Tom (Hello Again) * Tom Sawyer (Romance Language) * Way Back to Paradise (Marie Christine) * Welcome to My Party (The Wild Party) * When It Ends (The Wild Party).

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Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-XS-0000294

More about this title

About the Composer: Michael John LaChisua

Michael John LaChisua stands among Broadway's most inventive contemporary composers, known for music that blends operatic sophistication with theatrical storytelling. Over three decades, he has created scores for more than twenty productions, from intimate chamber musicals to large-scale Broadway revivals, earning Tony nominations and critical acclaim for his fearless harmonic language and emotional directness.

Why we love this

LaChisua's songs demand singers who can handle sophisticated harmony and emotional nuance; this collection gives vocalists and pianists access to material that stretches musicianship while remaining deeply theatrical. The breadth here—spanning two decades across wildly different shows—makes it invaluable for recital planning, audition prep, and understanding a major theatrical voice.

What to expect

LaChisua's music lives in the space between art song and musical theater—harmonically intricate, emotionally direct, and unafraid of vulnerability. These songs feel personal and intimate even when they're addressing large emotional terrain.

Who it's for

Singers preparing audition material, music theater vocalists building their contemporary song repertoire, and pianists seeking challenging accompaniment work. This collection serves advanced students and professional performers equally well.

How to get the most out of it

  • Study the harmonic language carefully before diving into interpretation; LaChisua's chords often do unexpected work, and rushing past them weakens the emotional architecture.
  • Honor the lyrical specificity in each song; these pieces tell stories through melody and text working together, not competing.
  • Use the piano voicings as a guide to phrasing, but don't be afraid to breathe where the emotional content demands it rather than where the notation suggests.

How to use it

Program individual songs in vocal recitals alongside art song and classical material; the stylistic range here supports thematic programming around character studies, relationships, and social observation. Strong choices for senior vocal recitals and conservatory showcases.

Skills your students will build

  • Reading and interpreting contemporary harmonic language
  • Navigating rhythmic independence between voice and piano
  • Sustaining legit vocal production through wide intervallic leaps
  • Connecting complex lyrics to emotionally honest vocal delivery
  • Collaborating pianistically with singers on contemporary scores

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