Martirio (from "Bernarda Alba")                                                       Sheet Music Preview

Martirio (from "Bernarda Alba"): Piano/Vocal/Chords

Michael John LaChiusa

Item: 00-XS-0000305

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Description
This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Miracle (See What I Wanna See) * Tom (Hello Again) * Tom Sawyer (Romance Language) * Way Back to Paradise (Marie Christine) * Welcome to My Party (The Wild Party) * When It Ends (The Wild Party).

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Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-XS-0000305

More about this title

About the Composer: Michael John LaChisua

Michael John LaChisua stands among Broadway's most inventive and literate composers, crafting scores that blend intricate harmonic language with sharply observed theatrical storytelling. His work spans two decades of distinctive musical theatre, from intimate chamber pieces to large-scale productions, each marked by sophisticated orchestration, memorable vocal writing, and an unflinching emotional intelligence.

Why we love this

This collection captures what makes LaChisua's writing so compelling for singers: songs built on conversational, character-driven lyrics paired with music that respects dramatic nuance while remaining singable and dramatically purposeful. "Martirio" itself reveals his gift for setting text with precision, making this resource invaluable for singers and coaches exploring contemporary musical theatre composition.

What to expect

LaChisua's songs inhabit psychological realism; they capture moments of private reckoning, social friction, and emotional complexity with music that is by turns lyrical, rhythmically angular, and deceptively intimate. "Martirio" carries the weight of its source play's themes of family constraint and female agency, rendered in music both beautiful and unsettling.

Who it's for

This collection serves singers preparing audition repertoire, coaches and pianists building contemporary musical theatre libraries, and voice students exploring sophisticated, character-driven song literature. Directors and music theatre faculty will find it essential for programming diverse, intelligent contemporary work that challenges performers vocally and dramatically.

How to get the most out of it

  • Attend closely to the composer's rhythmic notation and text underlay; LaChisua's prosody is deliberate, and rushing through his phrasing will flatten the character work.
  • Explore the harmonic movement underneath the melody; understanding the chordal architecture helps inform where to shape phrases and find emotional weight.
  • Balance the dramatic intensity of the lyric with vocal sustainability; these songs demand both vulnerability and technical control across a wide range.
  • Use the piano part as a scene partner rather than mere accompaniment; LaChisua writes interdependence between voice and keyboard that shapes interpretation.

How to use it

Pair these songs in a concert devoted to contemporary musical theatre, grouping them thematically or by source show to illuminate character arcs. This collection works equally well in a master class setting where singers and coaches dissect how LaChisua's harmonic language and text setting create dramatic specificity.

Skills your students will build

  • Interpreting contemporary musical theatre text with harmonic sophistication
  • Navigating irregular phrase lengths and rhythmic specificity
  • Building character through precise vocal phrasing and dynamic control
  • Reading and performing music that prioritizes dramatic truth over melodic simplicity
  • Collaborating with pianists to realize interdependent voice-and-piano writing

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