The Smallest Thing (from "First Lady Suite")                                         Sheet Music Preview

The Smallest Thing (from "First Lady Suite"): Piano/Vocal/Chords

Michael John LaChiusa

Item: 00-XS-0000301

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Description
This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Miracle (See What I Wanna See) * Tom (Hello Again) * Tom Sawyer (Romance Language) * Way Back to Paradise (Marie Christine) * Welcome to My Party (The Wild Party) * When It Ends (The Wild Party).

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Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-XS-0000301

More about this title

About the Composer: Michael John LaChisua

Michael John LaChisua has shaped contemporary musical theatre through his distinctive compositional voice, blending sophisticated harmonies with deeply human storytelling. His work spans from intimate character studies to expansive ensemble pieces, earning recognition as one of the most inventive theatre composers of the past three decades.

Why we love this

LaChisua's songs reward close listening and repeat performance. His harmonic language sits somewhere between classical art song and contemporary pop sensibility, giving singers rich material to explore while remaining singable in a studio or rehearsal setting. For pianists, the accompaniments balance rhythmic specificity with interpretive freedom, making each song feel fresh on every run-through.

What to expect

LaChisua's songs inhabit a world of emotional specificity and harmonic sophistication. You encounter intimate moments of vulnerability, flashes of wit and irony, and full emotional commitment, often within the same piece. The music feels both contemporary and timeless, rooted in character psychology rather than formula.

Who it's for

This collection serves singers preparing audition material from contemporary musical theatre, pianists building an accompaniment library for coaching or rehearsal, and music students studying how a major composer approaches character-driven songwriting. Voice teachers and musical theatre programs will find 39 distinct pieces across various styles, moods, and vocal ranges within this single resource.

How to get the most out of it

  • Study the chord symbols alongside the notated piano part to understand LaChisua's harmonic choices; this awareness shapes phrasing and color.
  • Approach the lyrical material as text first; the music follows the emotional arc of the words, so clear diction and storytelling intention matter as much as vocal technique.
  • Let the piano accompaniment breathe and respond to the singer's phrasing rather than pushing through at a strict tempo, especially in the more introspective songs.
  • Identify the specific moment or emotional turning point in each song and build your interpretation around that climax, rather than treating the whole piece as one dynamic level.

How to use it

Cast this collection as a master class on contemporary musical theatre songwriting, or curate selections for a cabaret-style performance that showcases the breadth of LaChisua's storytelling. Individual songs work beautifully as audition material, while grouping pieces from the same show offers singers a chance to explore a composer's work across an entire project.

Skills your students will build

  • Interpreting contemporary theatrical melody with classical art song sensibility
  • Balancing harmonic complexity with clear lyrical communication
  • Working with piano accompaniments that require both precision and flexibility
  • Understanding character motivation as a foundation for musical phrasing
  • Reading chord symbols and using them as a guide to harmonic context and color

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