He Wanted a Girl (from "Giant")                                                       Sheet Music Preview

He Wanted a Girl (from "Giant"): Piano/Vocal/Chords

Michael John LaChiusa

Item: 00-XS-0000333

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Description
This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Miracle (See What I Wanna See) * Tom (Hello Again) * Tom Sawyer (Romance Language) * Way Back to Paradise (Marie Christine) * Welcome to My Party (The Wild Party) * When It Ends (The Wild Party).

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Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-XS-0000333

More about this title

About the Composer: Michael John LaChisua

Michael John LaChisua stands among contemporary musical theatre's most inventive composers, known for work that defies easy categorization. His scores blend operatic ambition with theatrical storytelling, drawing from classical forms, jazz idioms, and experimental structures to create music that feels both intellectually rigorous and emotionally immediate.

Why we love this

LaChisua's songs reward singers who can navigate complex rhythms, unexpected harmonic turns, and dramatic shifts in emotional temperature. This collection gives pianists and singers direct access to his distinctive voice across two decades of work, making it possible to program material ranging from intimate character songs to full theatrical productions without licensing multiple scores.

What to expect

These songs inhabit a theatrical world where sophistication and rawness coexist. Harmonically adventurous yet deeply expressive, they demand singers who can balance intellectual rigor with genuine vulnerability.

Who it's for

Singers and pianist collaborators preparing for auditions, recitals, or concert programming will find substantial material here. Music theatre programs, voice studios, and performers seeking contemporary American musical theatre that goes beyond standard repertoire will discover songs that challenge and reward serious musical preparation.

How to get the most out of it

  • Study the harmonic language carefully before rehearsal. LaChisua frequently uses non-traditional chord progressions and modal mixture, so mapping out the harmonic spine helps singers anchor their interpretation.
  • Honor the silences and rhythmic specificity in these songs. His writing is precise about where breaths happen and where time sits differently, and that precision shapes the emotional impact.
  • Work with a pianist who can handle the independence required in these accompaniments. The piano part is not decorative; it often carries thematic material and dramatic weight equal to the vocal line.

How to use it

Singers can build audition books around LaChisua's range of character types and dramatic situations, drawing from shows spanning different genres and moods. Recital programmers might pair songs from different shows to explore his evolving compositional voice, or create a full evening around a single show's score.

Skills your students will build

  • Reading complex harmonic language and non-traditional chord symbols
  • Navigating rhythmic precision and unexpected metric changes
  • Interpreting character through LaChisua's sophisticated musical vocabulary
  • Collaborating with pianists on scores where accompaniment carries equal narrative weight

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