There Will Be A Miracle (from "See What I Wanna See")                                 Sheet Music Preview

There Will Be A Miracle (from "See What I Wanna See"): Piano/Vocal/Chords

Michael John LaChiusa

Item: 00-XS-0000310

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Description
This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Miracle (See What I Wanna See) * Tom (Hello Again) * Tom Sawyer (Romance Language) * Way Back to Paradise (Marie Christine) * Welcome to My Party (The Wild Party) * When It Ends (The Wild Party).

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Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-XS-0000310

More about this title

About the Composer: Michael John LaChisua

Michael John LaChisua stands among Broadway's most inventive and literate composers. His work draws deeply from literary sources and historical narratives, creating scores that challenge conventional musical theatre forms while remaining intensely theatrical and emotionally direct. Over three decades, he has won Outer Critics Circle Awards, Drama Desk nominations, and consistent recognition from the theatre community for his compositional sophistication and dramaturgical insight.

Why we love this

This collection captures the full scope of LaChisua's theatrical voice across twenty years of work, from intimate character songs to explosive ensemble pieces. Each song stands alone yet reveals his unmistakable harmonic language and gift for matching music to narrative truth. For pianists and singers building a recital or studying contemporary theatre music, this book offers access to repertoire that rewards both technical skill and interpretive depth.

What to expect

These songs inhabit the space where formal sophistication meets raw emotional honesty. You'll encounter chromatic harmonic language, unexpected modulations, and rhythmic flexibility that serve psychologically complex characters. The writing feels conversational yet composed, intimate yet theatrical, never sacrificing substance for showiness.

Who it's for

Theatre singers and pianists preparing audition material, recital programs, or undergraduate repertoire studies will find substantial new options here. Music theatre students, acting teachers exploring sung material, and accompanists specializing in contemporary Broadway music will value having LaChisua's work in a single accessible collection.

How to get the most out of it

  • Honor the lyrical specificity in LaChisua's vocal lines; his melodies typically serve the text first, so clarity of diction and attention to the emotional arc of each phrase will unlock the song's impact.
  • Study the harmonic movement carefully during rehearsal. His chord progressions often surprise; playing them accurately ensures the accompaniment supports rather than fights the singer's interpretation.
  • Allow the piano part to breathe and speak independently when it enters alone. These moments are compositional choices that frame or respond to the vocal line, not merely filler.
  • Experiment with tempo flexibility tied to lyrical content rather than strict metronomic precision. LaChisua's scores suggest dramatic timing over mechanical regularity.

How to use it

Select individual songs for a themed concert on contemporary theatre composers or a program centered on literary adaptations in musical theatre. Pair selections from different shows to build a recital that showcases range across comedy, tragedy, and introspection. Student performers preparing for summer intensives or professional auditions will benefit from sustained engagement with this material.

Skills your students will build

  • Reading complex harmonic language and chromatic voice leading in theatre music
  • Interpreting contemporary vocal lines that prioritize text and emotional arc over singability conventions
  • Coordinating vocal phrasing with piano accompaniment that moves independently
  • Understanding how theatrical context shapes musical choices within a single song

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