By The Way (from "Little Fish")                                                       Sheet Music Preview

By The Way (from "Little Fish"): Piano/Vocal/Chords

Michael John LaChiusa

Item: 00-XS-0000297

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Description
This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Miracle (See What I Wanna See) * Tom (Hello Again) * Tom Sawyer (Romance Language) * Way Back to Paradise (Marie Christine) * Welcome to My Party (The Wild Party) * When It Ends (The Wild Party).

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Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-XS-0000297

More about this title

About the Composer: Michael John LaChisua

Michael John LaChiusa has established himself as one of the most inventive voices in contemporary musical theatre, known for his sophisticated harmonic language and emotionally complex characters. Over two decades, he has created scores that challenge performers and audiences alike, blending classical sensibility with modern theatrical storytelling across works ranging from intimate chamber pieces to large-scale productions.

Why we love this

This collection gives singers and pianists direct access to LaChiusa's compositional voice across multiple shows and emotional territories, all in one volume. The variety means you can program a single song for a recital, teach from contrasting styles within the same rehearsal, or explore how LaChiusa's harmonic thinking and melodic gifts evolved across two decades of work. For pianists, these arrangements reveal how thoughtfully he writes for the instrument as both accompanist and conversation partner.

What to expect

These songs inhabit intimate, often complicated emotional landscapes. You'll find moments of genuine humor alongside deep introspection, characters grappling with desire and identity, and melodies that linger in unexpected ways. The piano writing ranges from sparse and conversational to lush and orchestral in scope, creating a sense of psychological depth even in the context of a solo voice and keyboard.

Who it's for

This collection serves singers preparing audition material from contemporary musical theatre, music theater programs building repertoire libraries, and pianists who want to expand beyond standard golden age material. It also appeals to serious music students exploring how modern composers approach song form and character expression within theatrical contexts.

How to get the most out of it

  • Pay attention to the lyric phrasing before defaulting to musical phrases; LaChiusa often writes against predictable melodic shapes to serve the text.
  • Check for key changes and modulations between verses; his harmonies frequently shift in ways that demand flexible accompaniment and vocal flexibility.
  • Use the chord symbols as a guide to texture and color rather than just harmonic foundation, especially in songs with jazz or contemporary influences.
  • Balance vocal projection with the harmonic density underneath; these arrangements often contain rich piano writing that can overshadow a lyric if not managed carefully.

How to use it

Select contrasting songs from different LaChiusa shows to create a compelling recital set that showcases theatrical storytelling and musical sophistication without relying on frequently performed standards. Program a single song alongside classical art song or contemporary chamber works to introduce audiences to theatrical music that doesn't fit the Broadway musical stereotypes. In a teaching studio, use songs from this collection to develop students' interpretive skills and understanding of how text and music interact in contemporary composition.

Skills your students will build

  • Reading and interpreting chord symbols in vocal piano/vocal scores
  • Understanding how contemporary composers manipulate harmonic language to support text meaning
  • Developing interpretive choices based on character and emotional subtext rather than melody alone
  • Collaborating between voice and piano when accompaniment figures carry as much dramatic weight as the vocal line
  • Navigating complex meters and rhythmic figures in contemporary theatrical music

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