Adela (from "Bernarda Alba")                                                          Sheet Music Preview

Adela (from "Bernarda Alba"): Piano/Vocal/Chords

Michael John LaChiusa

Item: 00-XS-0000306

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Description
This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Miracle (See What I Wanna See) * Tom (Hello Again) * Tom Sawyer (Romance Language) * Way Back to Paradise (Marie Christine) * Welcome to My Party (The Wild Party) * When It Ends (The Wild Party).

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Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-XS-0000306

More about this title

About the Composer: Michael John LaChisua

Michael John LaChisua is a composer and lyricist whose work for musical theatre spans three decades, from early 1990s pieces like First Lady Suite through contemporary projects. His distinctive compositional voice blends operatic sensibility with theatrical storytelling, drawing on classical forms while remaining firmly rooted in contemporary dramatic narratives. His scores have been performed by major opera companies and regional theatres, establishing him as one of the most significant living composers in American musical theatre.

Why we love this

This collection opens access to some of the most sophisticated theatrical songwriting of the past thirty years. LaChisua's harmonic language is complex and rewarding to study, offering singers and pianists genuine musical challenge alongside expressive depth. The breadth here (39 songs spanning multiple shows) makes this an invaluable resource for advanced students discovering contemporary musical theatre that demands real vocal and interpretive maturity.

What to expect

These songs inhabit the space where classical rigor meets theatrical immediacy. LaChisua's melodies often feel inevitable yet surprising, supported by harmonies that deepen rather than simply decorate. The emotional terrain ranges from intimate vulnerability to complex social observation, all handled with compositional intelligence that respects both the singer and listener.

Who it's for

This collection serves advanced vocalists and serious piano students who want to engage with contemporary musical theatre beyond the standard repertoire. Singing teachers preparing students for university auditions, music theatre programs, and artistic growth will find substantial material here. Pianists seeking accompaniment work that is musically substantial and dramatically engaging will appreciate the care evident in every arrangement.

How to get the most out of it

  • Study the harmonic movement carefully; LaChisua's progressions often surprise and require singers to track subtle emotional shifts through unexpected chromatic or modal changes.
  • Balance the lyrical melody with the piano's often-active accompaniment. The relationship between voice and keys is conversational, not hierarchical.
  • Approach the contemporary language without oversinging. These songs reward specificity and restraint over volume or vibrato.
  • Use the chord symbols to understand the harmonic context, but listen past them to the color and texture LaChisua creates within each progression.

How to use it

Feature individual songs in recital settings where you want to program contemporary musical theatre that demonstrates sophisticated musicianship. Use this collection to build a curated set of audition material that showcases character, range, and interpretive maturity. For advanced voice studios, this serves as both performance repertoire and analytical study material, revealing how contemporary composers handle harmony, form, and text setting.

Skills your students will build

  • Interpreting complex harmonic language and chord extensions in contemporary settings
  • Sustaining musical line through unexpected harmonic movements
  • Balancing melodic clarity with rhythmically active accompaniment patterns
  • Connecting contemporary lyrical text to sophisticated compositional choices
  • Sight-reading and learning from full piano/vocal scores rather than simplified fake books

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