Curosity (from "See What I Wanna See")                                               Sheet Music Preview

Curosity (from "See What I Wanna See"): Piano/Vocal/Chords

Michael John LaChiusa

Item: 00-XS-0000309

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Description
This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Miracle (See What I Wanna See) * Tom (Hello Again) * Tom Sawyer (Romance Language) * Way Back to Paradise (Marie Christine) * Welcome to My Party (The Wild Party) * When It Ends (The Wild Party).

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Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-XS-0000309

More about this title

About the Composer: Michael John LaChisua

Michael John LaChisua stands among the most inventive composers working in musical theatre today. His work spans from intimate, character-driven pieces to large-scale theatrical productions, each marked by harmonic sophistication, rhythmic vitality, and a gift for melody that serves the emotional truth of a scene rather than overshadowing it.

Across two decades of Broadway and off-Broadway productions, LaChisua has built a distinctive compositional voice rooted in both classical training and theatrical storytelling. His scores for works including First Lady Suite, Hello Again, Marie Christine, The Wild Party, See What I Wanna See, and Bernarda Alba demonstrate a composer unafraid of complex emotions, unconventional structures, and the marriage of text and music as equal partners in meaning-making.

Why we love this

This collection captures the full range of LaChisua's theatrical voice in one volume, giving singers and pianists access to material that spans intimate character songs, dramatic monologues, and ensemble moments. The inclusion of previously unpublished work means even experienced LaChisua advocates will find fresh material to explore, making this an endlessly rewarding resource for audition prep, recital building, and repertoire study.

What to expect

LaChisua's music inhabits emotional complexity without apology. These songs move between vulnerability and strength, humor and heartbreak, often within a single piece. The harmonic language feels both grounded in theatrical tradition and refreshingly contemporary, creating a listening experience that rewards close attention and repeated discovery.

Who it's for

This collection serves pianists and singers preparing audition material, concert repertoire, and educational recitals. It's equally valuable for music teachers introducing students to contemporary musical theatre composition and for performers seeking sophisticated, character-rich material that challenges both technique and dramatic interpretation.

How to get the most out of it

  • Attend closely to the harmonic language; LaChisua's progressions often move in unexpected directions and create emotional weight through chromatic voice leading rather than traditional cadences. Let your ear lead you into the harmonic color rather than imposing conventional harmony patterns.
  • Balance lyrical phrasing with the specificity of character. These songs demand both technical control and genuine emotional commitment; a beautiful line means little without the dramatic intention behind it.
  • Use the piano part as a narrative partner, not merely accompaniment. LaChisua writes pianistic detail that often mirrors or comments on the vocal line, and honoring that interplay enriches both performer and listener.

How to use it

Program individual songs in recitals built around specific themes, emotional arcs, or character studies; the breadth of this collection allows you to curate meaningful programs across multiple concerts. For classroom use, selections work effectively in units exploring contemporary theatrical composition, character song development, or the relationship between text and music. The variety of song types also makes this a natural resource for audition coaches preparing singers for musical theatre programs and professional auditions.

Skills your students will build

  • Reading and interpreting contemporary harmonic language (chromatic voice leading, extended harmony, unexpected progressions)
  • Character work and emotional specificity in performance
  • Collaborative listening between vocalist and pianist
  • Sight-reading theatrical music with varied accompaniment textures
  • Building audition and recital repertoire from primary sources

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