Fraud (from "Broken Sleep")                                                           Sheet Music Preview

Fraud (from "Broken Sleep"): Piano/Vocal/Chords

Michael John LaChiusa

Item: 00-XS-0000331

Digital Download
$9.99

One moment…

Description
This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Miracle (See What I Wanna See) * Tom (Hello Again) * Tom Sawyer (Romance Language) * Way Back to Paradise (Marie Christine) * Welcome to My Party (The Wild Party) * When It Ends (The Wild Party).

Fraud (from "Broken Sleep"): Piano/Vocal/Chords isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-XS-0000331

More about this title

About the Composer: Michael John LaChisua

Michael John LaChisua stands among Broadway's most inventive and harmonically sophisticated composers. His work spans two decades of theatre, from intimate chamber musicals to large-scale productions, and his harmonic language draws on classical training while remaining unmistakably theatrical. His scores for shows including Marie Christine, The Wild Party, and See What I Wanna See have earned him recognition for psychological depth, textural variety, and music that serves character and story with equal intelligence.

LaChisua's compositional approach prioritizes emotional authenticity over formula. His melodies often resist conventional phrase structures, and his harmonic choices reflect the interior lives of his characters. For singers and pianists, his work offers both technical challenge and genuine artistic reward, demanding nuance while remaining playable across skill levels.

Why we love this

This collection captures the full range of LaChisua's theatrical voice in one volume, making it invaluable for anyone seeking contemporary art song literature with dramatic substance. The piano parts are idiomatic and rewarding without overshadowing the vocal line, and the harmonic language offers pianists genuine interpretive choices. Whether you're casting a recital, building a contemporary cabaret, or simply wanting to explore music that respects both singer and listener intelligence, these 39 songs deliver.

What to expect

These songs inhabit psychological and emotional terrain that feels both highly specific and universally resonant. The piano writing creates intimate atmospheres while the vocal lines demand vulnerability and precision; there's no hiding in LaChisua's music. Whether a character is confessing, mourning, or musing, the score unfolds with the texture and detail of contemporary classical song.

Who it's for

This collection serves singers and pianist collaborators who are comfortable with contemporary harmonic language and rhythmic sophistication. It's essential for music theatre performers building recital repertoire, pianists seeking challenging and rewarding song literature, and teachers introducing advanced students to 21st-century theatrical composition. Voice students preparing for conservatory auditions will find pieces that showcase both technical facility and interpretive maturity.

How to get the most out of it

  • Study the harmonic movement before worrying about the melody; LaChisua's chords often establish the emotional foundation of a phrase, and understanding them will clarify phrasing and dynamic shape.
  • Resist the urge to smooth out rhythmic or melodic irregularities. The unexpected phrase lengths and chromatic moments are intentional and serve the character and text.
  • Use the chord symbols as a starting point for reharmonization in rehearsal. These songs reward pianists who understand the harmonic logic beneath the written voicings.
  • Balance clarity in the piano part with the primacy of the vocal line. LaChisua writes active, interesting accompaniments that should support rather than compete.

How to use it

Curate a cabaret or recital evening around a single show or theme from this collection; the breadth of material allows for compelling dramaturgical programming. These songs work equally well in song recital contexts alongside art song and contemporary concert music, or as a coherent evening of LaChisua's theatre work. Individual pieces integrate seamlessly into classes exploring contemporary composition, musical theatre history, or advanced song interpretation.

Skills your students will build

  • Reading and interpreting complex harmonic language and chromatic voice leading
  • Sustaining lyrical phrasing across irregular phrase structures
  • Collaborative listening between singer and pianist in music with active accompaniment
  • Understanding how contemporary theatrical composition serves character and emotional specificity
  • Interpreting stylistic nuance in music that avoids conventional theatrical clichés

You May Also Like