Heaven (from "Hotel C'est l'Amour")                                                   Sheet Music Preview

Heaven (from "Hotel C'est l'Amour"): Piano/Vocal/Chords

Michael John LaChiusa

Item: 00-XS-0000336

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Description
This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Miracle (See What I Wanna See) * Tom (Hello Again) * Tom Sawyer (Romance Language) * Way Back to Paradise (Marie Christine) * Welcome to My Party (The Wild Party) * When It Ends (The Wild Party).

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Additional Details
Publisher: Alfred Music
Page Count: 260
SKU: 00-XS-0000336

More about this title

About the Composer: Michael John LaChisua

Michael John LaChisua is a composer and lyricist whose theatrical work spans Broadway, off-Broadway, and opera. His compositions are known for their harmonic sophistication, rhythmic complexity, and deeply human storytelling. He has created music for more than twenty productions, earning recognition for his ability to blend contemporary sensibilities with classical musical theatre craftsmanship.

LaChisua's work across genres—from intimate chamber pieces to large ensemble spectacles—demonstrates a composer uninterested in formulaic approaches. His scores demand intelligent musicianship from performers and reward careful listening from audiences. For music educators, his output represents a vital contemporary voice in musical theatre composition.

Why we love this

This collection gives singers and pianists access to sophisticated musical theatre writing that respects both lyrical storytelling and musical complexity. LaChisua's melodies breathe naturally within the vocal line while his harmonic language pushes beyond standard theatre conventions, making this repertoire genuinely engaging for musicians who want material with artistic substance. The breadth of styles represented across his shows means singers can find pieces suited to their voice type and interpretive instincts.

What to expect

LaChisua's music occupies a sophisticated emotional landscape where theatrical directness meets compositional ambition. These songs feel introspective yet theatrical, romantic yet unsentimental. The harmonic language is modern and sometimes unexpected, creating an atmosphere of refined intelligence that feels distinctly contemporary.

Who it's for

This book suits advanced high school singers, college musical theatre programs, and professional performers building audition repertoire. Pianists seeking contemporary theatrical material with real compositional depth will find substantial and rewarding material throughout the collection.

How to get the most out of it

  • Pay close attention to LaChisua's harmonic movement; his chord choices often shift unexpectedly and carry emotional weight, so resist the urge to play through them mechanically.
  • Treat the text with the precision you would bring to classical art song; LaChisua writes lyrics that demand clarity and intentional phrasing.
  • Examine the accompaniment patterns carefully before assuming they follow conventional theatre music textures; his piano writing frequently features intricate rhythmic or harmonic details that color the song's meaning.

How to use it

Include individual songs in student recitals or solo competitions where performers need material that demonstrates both vocal technique and interpretive maturity. Consider programming a LaChisua song in a concert of contemporary musical theatre to show singers what sophisticated theatrical music can sound like. This collection is essential for programs teaching students to engage with 21st-century composers.

Skills your students will build

  • Singing with stylistically appropriate phrasing in contemporary musical theatre
  • Reading and executing complex harmonic movement at the piano
  • Interpreting text with specificity and emotional nuance
  • Navigating unexpected chord changes and non-diatonic harmony
  • Balancing theatrical expression with musical authenticity

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