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Sound Innovations for Concert Band: Ensemble Development for Intermediate Concert Band: Electric Bass Book

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Sound Innovations for Concert Band: Ensemble Development for Intermediate Concert Band Cover Image

Sound Innovations for Concert Band: Ensemble Development for Intermediate Concert Band: Electric Bass Book

Chorales and Warm-up Exercises for Tone, Technique and Rhythm

By Peter Boonshaft and Chris Bernotas

Item: 00-39085

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Description
Sound Innovations: Ensemble Development for Intermediate Concert Band is a valuable resource for helping your students grow in their understanding and abilities as ensemble musicians. It contains 412 exercises, including more than 70 chorales by some of today's most renowned concert band composers. An assortment of exercises is grouped by key and presented in a variety of intermediate difficulty levels. Where possible, several exercises in the same category are provided to allow variety, while still accomplishing the goals of that specific type of exercise. You will notice that many exercises and chorales are clearly marked with dynamics, articulations, style, and tempo for students to practice those aspects of performance. Other exercises are intentionally left flexible for the teacher to determine how best to use them in facilitating and addressing the needs and goals of their ensemble. Whether your students are progressing through exercises to better their technical facility, or challenging their musicianship with beautiful chorales, this book can be used after any band method or as a supplement to performance music. Contains chorales composed by Roland Barrett, Andrew Boysen, Ralph Ford, Rossano Galante, Robert Sheldon, Todd Stalter, Randall Standridge, and Michael Story. The Ensemble Development Series is also available for Young Band and Advanced Band. Learn more at www.alfred.com/SIED.
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Sample Pages

Sample Audio
1 Exercise 003 - Passing the Tonic --:--
2 Exercise 014 - Scale Pattern --:--
3 Exercise 018 - Flexibility --:--
4 Exercise 022 - Intervals --:--
5 Exercise 029 - Balance and Intonation - Shifting Chord Qualities --:--
6 Exercise 032 - Expanding Intervals - Downward in Triads --:--
7 Exercise 040 - Rhythmic Subdivision --:--
8 Exercise 049 - Etude --:--
9 Exercise 050 - Balance and Intonation - Diatonic Harmony --:--
10 Exercise 050 - Chorale - Jesu, Meine Zuversicht, arr --:--
11 Exercise 052 - Concert B-flat Major Scale and Chorale by Chris Bernotas --:--
12 Exercise 057 - Chorale by Robert Sheldon --:--
13 Exercise 059 - Chorale by Chris Bernotas --:--
14 Exercise 060 - Chorale by Rossano Galante --:--
15 Exercise 087 - Chorale by Michael Story --:--
16 Exercise 088 - Concert G Minor Scale and Chorale by Chris Bernotas --:--
17 Exercise 267 - Concert A-flat - Scale and Chorale by Chris Bernotas --:--

Exercise 003 - Passing the Tonic

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Additional Details
Series: Sound Innovations for Concert Band: Ensemble Development
Publisher: Alfred Music
Page Count: 56
ISBN10: 0-7390-8783-5
ISBN13: 978-0-7390-8783-1
UPC: 038081434933
SKU: 00-39085
Instrumentation: Electric Bass

More about this title

About the Authors

Peter Boonshaft
Peter Loel Boonshaft is recognized as one of today's most dynamic voices in music education. Currently serving as Director of Education for Jupiter Band Instruments, he maintains an influential presence through his weekly "Boonshaft's Blog," which reaches music educators nationwide. His speaking and conducting engagements have taken him to all fifty states and internationally.

His contributions to the field have earned him exceptional recognition. Boonshaft received the inaugural George M. Parks Award for Leadership in Music Education from the National Association for Music Education and Music For All. He holds memberships in Pi Kappa Lambda and Alpha Chi honor societies and has received the University of Hartford's Regent's Award twice, along with that institution's Outstanding Music Educator Award. Additional honors include three selections as a National Endowment for the Arts "Artist in Residence," three Honorary Life Memberships in the Tri-M Music Honor Society, and the Al G. Wright Award of Distinction from Women Band Directors International. He earned proclamations from five state governors and received a Certificate of Appreciation from President Ronald Reagan. He has also performed for Presidents George H. W. Bush and Bill Clinton, as well as former Prime Minister Margaret Thatcher.

As Professor Emeritus of Music at Hofstra University, where he was selected for the Center for Scholarly Research and Academic Excellence, Boonshaft previously taught at Moravian College and the University of Hartford. He founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. His academic credentials include a Bachelor of Music (Summa Cum Laude), a Master of Music Education in Conducting, and a Doctor of Musical Arts degree, complemented by certification from the Kodály Musical Training Institute.

Chris Bernotas

Why we love this

This electric bass book strips away the guesswork by organizing 412 exercises strategically by key and difficulty level, giving your bass player exactly what they need to lock in with the ensemble without endless searching. The inclusion of 70+ chorales by recognized concert band composers means your bassist practices musicianship alongside technique, not isolated rhythmic patterns. You get flexibility too: some exercises come fully marked with style and dynamics, while others let you shape them to address your specific ensemble's needs.

What to expect

The progression from focused technical exercises to rich harmonic chorales creates a sense of steady growth and purpose. Working through these pieces, your bass player will experience the satisfaction of supporting and anchoring the ensemble's sound while building confidence in multiple keys and styles.

Who it's for

This book is designed for intermediate concert band bass players who are ready to move beyond foundational method books and develop genuine ensemble awareness. It works equally well for self-directed practice and teacher-guided rehearsal, giving bassists the tools to strengthen both technical security and musical independence.

How to get the most out of it

  • Lock the electric bass tone to match the ensemble's tuning and vibrato style by rehearsing the longer chorale selections first, which establish the tonal palette for the entire group.
  • Work through exercises in the same key consecutively before moving forward; this builds harmonic fluency and reduces the cognitive load of constant transposition adjustments.
  • Treat dynamics and articulation markings as non-negotiable practice goals; if an exercise is marked, use it as written first, then experiment with the flexible exercises to internalize decision-making.
  • Pair your bass player with the tuba or baritone parts on chorales to develop the rhythmic and harmonic foundation that holds the ensemble steady.

How to use it

Use this book as your bass player's counterpart to your band's concert music repertoire; assign one chorale per week alongside your concert selections to deepen harmonic awareness of the literature you're performing. The exercise sets make excellent warm-up material at the start of rehearsal, and the variety by key ensures your bassist is prepared for whatever you program.

Skills your students will build

  • Reading and executing clearly marked dynamics and articulations across intermediate difficulty levels
  • Harmonic fluency across multiple keys through organized, progressive exercise sets
  • Independence and musicianship through exposure to chorale writing by major concert band composers
  • Rhythmic and harmonic foundation work that supports ensemble cohesion
  • Technical facility on electric bass without isolating technique from musical context

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