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Sound Innovations for Concert Band: Ensemble Development for Intermediate Concert Band: E-flat Alto Saxophone 2 Book

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Sound Innovations for Concert Band: Ensemble Development for Intermediate Concert Band: E-flat Alto Saxophone 2 Book

Chorales and Warm-up Exercises for Tone, Technique and Rhythm

By Peter Boonshaft and Chris Bernotas

Item: 00-34579

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Sound Innovations: Ensemble Development for Intermediate Concert Band is a valuable resource for helping your students grow in their understanding and abilities as ensemble musicians. It contains 412 exercises, including more than 70 chorales by some of today's most renowned concert band composers. An assortment of exercises is grouped by key and presented in a variety of intermediate difficulty levels. Where possible, several exercises in the same category are provided to allow variety, while still accomplishing the goals of that specific type of exercise. You will notice that many exercises and chorales are clearly marked with dynamics, articulations, style, and tempo for students to practice those aspects of performance. Other exercises are intentionally left flexible for the teacher to determine how best to use them in facilitating and addressing the needs and goals of their ensemble. Whether your students are progressing through exercises to better their technical facility, or challenging their musicianship with beautiful chorales, this book can be used after any band method or as a supplement to performance music. Contains chorales composed by Roland Barrett, Andrew Boysen, Ralph Ford, Rossano Galante, Robert Sheldon, Todd Stalter, Randall Standridge, and Michael Story. The Ensemble Development Series is also available for Young Band and Advanced Band. Learn more at www.alfred.com/SIED.
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Sample Pages

Sample Audio
1 Exercise 003 - Passing the Tonic --:--
2 Exercise 014 - Scale Pattern --:--
3 Exercise 018 - Flexibility --:--
4 Exercise 022 - Intervals --:--
5 Exercise 029 - Balance and Intonation - Shifting Chord Qualities --:--
6 Exercise 032 - Expanding Intervals - Downward in Triads --:--
7 Exercise 040 - Rhythmic Subdivision --:--
8 Exercise 049 - Etude --:--
9 Exercise 050 - Balance and Intonation - Diatonic Harmony --:--
10 Exercise 050 - Chorale - Jesu, Meine Zuversicht, arr --:--
11 Exercise 052 - Concert B-flat Major Scale and Chorale by Chris Bernotas --:--
12 Exercise 057 - Chorale by Robert Sheldon --:--
13 Exercise 059 - Chorale by Chris Bernotas --:--
14 Exercise 060 - Chorale by Rossano Galante --:--
15 Exercise 087 - Chorale by Michael Story --:--
16 Exercise 088 - Concert G Minor Scale and Chorale by Chris Bernotas --:--
17 Exercise 267 - Concert A-flat - Scale and Chorale by Chris Bernotas --:--

Exercise 003 - Passing the Tonic

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Additional Details
Series: Sound Innovations for Concert Band: Ensemble Development
Publisher: Alfred Music
Page Count: 56
ISBN10: 0-7390-6774-5
ISBN13: 978-0-7390-6774-1
UPC: 038081383477
SKU: 00-34579
Instrumentation: E-flat Alto Saxophone 2

More about this title

About the Authors

Peter Boonshaft
Peter Loel Boonshaft stands as one of today's most dynamic voices in music education. As Director of Education for Jupiter Band Instruments, he has earned invitations to speak and conduct across all fifty states and internationally. His weekly "Boonshaft's Blog" reaches music educators worldwide with practical inspiration and guidance.

His accomplishments have garnered widespread recognition. He received the inaugural "George M. Parks Award for Leadership in Music Education" from the National Association for Music Education and Music For All. Additional honors include official proclamations from five state governors, a Certificate of Appreciation from former President Ronald Reagan, and performances for former Presidents George H. W. Bush and Bill Clinton as well as former British Prime Minister Margaret Thatcher. He holds memberships in Pi Kappa Lambda and Alpha Chi honor societies.

Boonshaft's academic credentials and awards reflect a distinguished career in higher education. He earned a Bachelor of Music (Summa Cum Laude), a Master of Music Education in Conducting, and a Doctor of Musical Arts, along with a Certificate from the Kodály Musical Training Institute. At the University of Hartford, where he is Professor Emeritus, he received the Regent's Award twice and the Outstanding Music Educator Award. He has served as an NEA "Artist in Residence" three times, received the Al G. Wright Award of Distinction from Women Band Directors International, and earned three Honorary Life Memberships in the Tri-M Music Honor Society. Before his Hartford appointment, he taught at Moravian College and founded both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble.

Chris Bernotas

Why we love this

This book supplies exactly what intermediate saxophone sections need: targeted exercises organized by key and difficulty level, paired with chorales from respected concert band composers who know how to write idiomatically for young ensembles. The flexibility built into many exercises lets you adapt them to your ensemble's specific challenges, while the clearly marked dynamics and articulations on other pieces give students concrete models for expression.

What to expect

Opening this book feels like having a patient mentor who meets you where you are. The exercises build logically within each key, allowing you to gain confidence and control, while the chorales from names like Robert Sheldon and Randall Standridge remind you why technique matters: it serves beautiful musical expression.

Who it's for

Intermediate concert band alto saxophonists who are beyond beginning method books and ready for more sophisticated technical and musical development. This book works equally well as a comprehensive sectional resource or as supplementary material alongside your band's concert repertoire.

How to get the most out of it

  • Study each chorale's style and tempo markings before rehearsal; use them as interpretive anchors for your section's balance and blend.
  • When working through technical exercises in sequence, shift the focus between facility and musicality rather than treating them as rote drills.
  • Use the exercises marked with flexible articulations to explore different approaches in sectional rehearsals; compare how phrasing changes the character of the line.

How to use it

Use the chorales to deepen your section's musicianship during the weeks leading up to concerts, placing them strategically into rehearsals to reinforce intonation and phrasing habits. The keyed exercises make excellent warm-up material at the start of sectional rehearsals, and you can return to them throughout the year as foundations for new repertoire your band encounters.

Skills your students will build

  • Intonation and blend across multiple keys
  • Dynamic control and articulation precision
  • Sight-reading at intermediate level
  • Phrasing and musical interpretation of chorale literature
  • Technical facility and facility across the staff

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