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Sound Innovations for Concert Band: Ensemble Development for Intermediate Concert Band: E-flat Baritone Saxophone Book

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Sound Innovations for Concert Band: Ensemble Development for Intermediate Concert Band Cover Image

Sound Innovations for Concert Band: Ensemble Development for Intermediate Concert Band: E-flat Baritone Saxophone Book

Chorales and Warm-up Exercises for Tone, Technique and Rhythm

By Peter Boonshaft and Chris Bernotas

Item: 00-34581

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Description
Sound Innovations: Ensemble Development for Intermediate Concert Band is a valuable resource for helping your students grow in their understanding and abilities as ensemble musicians. It contains 412 exercises, including more than 70 chorales by some of today's most renowned concert band composers. An assortment of exercises is grouped by key and presented in a variety of intermediate difficulty levels. Where possible, several exercises in the same category are provided to allow variety, while still accomplishing the goals of that specific type of exercise. You will notice that many exercises and chorales are clearly marked with dynamics, articulations, style, and tempo for students to practice those aspects of performance. Other exercises are intentionally left flexible for the teacher to determine how best to use them in facilitating and addressing the needs and goals of their ensemble. Whether your students are progressing through exercises to better their technical facility, or challenging their musicianship with beautiful chorales, this book can be used after any band method or as a supplement to performance music. Contains chorales composed by Roland Barrett, Andrew Boysen, Ralph Ford, Rossano Galante, Robert Sheldon, Todd Stalter, Randall Standridge, and Michael Story. The Ensemble Development Series is also available for Young Band and Advanced Band. Learn more at www.alfred.com/SIED.
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Sample Pages

Sample Audio
1 Exercise 003 - Passing the Tonic --:--
2 Exercise 014 - Scale Pattern --:--
3 Exercise 018 - Flexibility --:--
4 Exercise 022 - Intervals --:--
5 Exercise 029 - Balance and Intonation - Shifting Chord Qualities --:--
6 Exercise 032 - Expanding Intervals - Downward in Triads --:--
7 Exercise 040 - Rhythmic Subdivision --:--
8 Exercise 049 - Etude --:--
9 Exercise 050 - Balance and Intonation - Diatonic Harmony --:--
10 Exercise 050 - Chorale - Jesu, Meine Zuversicht, arr --:--
11 Exercise 052 - Concert B-flat Major Scale and Chorale by Chris Bernotas --:--
12 Exercise 057 - Chorale by Robert Sheldon --:--
13 Exercise 059 - Chorale by Chris Bernotas --:--
14 Exercise 060 - Chorale by Rossano Galante --:--
15 Exercise 087 - Chorale by Michael Story --:--
16 Exercise 088 - Concert G Minor Scale and Chorale by Chris Bernotas --:--
17 Exercise 267 - Concert A-flat - Scale and Chorale by Chris Bernotas --:--

Exercise 003 - Passing the Tonic

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Additional Details
Series: Sound Innovations for Concert Band: Ensemble Development
Publisher: Alfred Music
Page Count: 56
ISBN10: 0-7390-6776-1
ISBN13: 978-0-7390-6776-5
UPC: 038081383491
SKU: 00-34581
Instrumentation: E-flat Baritone Saxophone

More about this title

About the Authors

Peter Boonshaft
Peter Loel Boonshaft stands out as one of today's most compelling voices in music education. As Director of Education for Jupiter Band Instruments, he reaches educators worldwide through his weekly "Boonshaft's Blog" and has been invited to speak and conduct across all fifty states and internationally. The National Association for Music Education and Music For All recognized his leadership by presenting him the inaugural George M. Parks Award for Leadership in Music Education.

Dr. Boonshaft's distinguished career includes performances for three U.S. Presidents and the former Prime Minister of the United Kingdom, as well as proclamations from five state governors. His academic credentials span a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts degree, complemented by Kodály Musical Training Institute certification. He earned membership in Pi Kappa Lambda and Alpha Chi honor societies and received multiple prestigious awards including the Al G. Wright Award of Distinction from Women Band Directors International and three National Endowment for the Arts Artist in Residence selections.

At Hofstra University, where he holds the title of Professor Emeritus of Music, Dr. Boonshaft was selected for the Center for Scholarly Research and Academic Excellence. He previously taught at Moravian College and the University of Hartford, where he earned both the Regent's Award (twice) and the Outstanding Music Educator Award. He founded and directed the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble, shaping young musicians throughout the region.

Chris Bernotas

Why we love this

This baritone sax book offers something rare: 412 carefully sequenced exercises that treat technical work and musicianship as inseparable. Rather than mindless drills, the exercises build genuine facility while the 70 chorales from major concert band composers give your section meaningful material to play collaboratively from day one.

What to expect

Purposeful and straightforward. Every exercise lands with intention; there's no filler. The chorales offer real moments of musical beauty and connection to professional concert band writing, reminding young players why precision and ensemble listening matter.

Who it's for

Baritone saxophonists in intermediate concert bands who need systematic tools for building both technical security and musical independence. This book serves students working through standard band progression or those needing focused supplementary material to address specific ensemble needs.

How to get the most out of it

  • Study the marked articulations and dynamics closely; they're teaching tools embedded in the exercises themselves, showing you how professional composers shape phrases in concert band writing.
  • Use the grouped-by-key organization to reinforce tonality. Spend several rehearsals exploring all exercises in the same key before moving forward, so intonation and harmonic awareness deepen together.
  • The chorales work beautifully for sectional rehearsals. Have your baritone sax pair with alto sax or other low woodwinds to develop blend and listening skills without the full band.
  • Return to exercises marked as flexible (without specified dynamics or tempo) regularly. Revisit them as the section's musicianship grows; they become different pieces at different stages of development.

How to use it

Begin sectionals with targeted exercises from the key you're currently performing in your concert repertoire, then move into a chorale for the final ten minutes as a reward and musical cooldown. Alternatively, weave chorales throughout the year as sight-reading and listening assessments, using them to track how your ensemble's musicianship develops across the season.

Skills your students will build

  • Technical facility in intermediate keys and ranges specific to baritone saxophone
  • Intonation and harmonic awareness through key-grouped exercises
  • Articulation control and dynamic shaping in ensemble context
  • Sight-reading fluency across varied intermediate difficulty levels
  • Listening and blending skills with ensemble partners
  • Musical interpretation of professional concert band literature

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