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Sound Innovations for Concert Band: Ensemble Development for Intermediate Concert Band: Bassoon Book

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Sound Innovations for Concert Band: Ensemble Development for Intermediate Concert Band: Bassoon Book

Chorales and Warm-up Exercises for Tone, Technique and Rhythm

By Peter Boonshaft and Chris Bernotas

Item: 00-34573

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Sound Innovations: Ensemble Development for Intermediate Concert Band is a valuable resource for helping your students grow in their understanding and abilities as ensemble musicians. It contains 412 exercises, including more than 70 chorales by some of today's most renowned concert band composers. An assortment of exercises is grouped by key and presented in a variety of intermediate difficulty levels. Where possible, several exercises in the same category are provided to allow variety, while still accomplishing the goals of that specific type of exercise. You will notice that many exercises and chorales are clearly marked with dynamics, articulations, style, and tempo for students to practice those aspects of performance. Other exercises are intentionally left flexible for the teacher to determine how best to use them in facilitating and addressing the needs and goals of their ensemble. Whether your students are progressing through exercises to better their technical facility, or challenging their musicianship with beautiful chorales, this book can be used after any band method or as a supplement to performance music. Contains chorales composed by Roland Barrett, Andrew Boysen, Ralph Ford, Rossano Galante, Robert Sheldon, Todd Stalter, Randall Standridge, and Michael Story. The Ensemble Development Series is also available for Young Band and Advanced Band. Learn more at www.alfred.com/SIED.
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Sample Pages

Sample Audio
1 Exercise 003 - Passing the Tonic --:--
2 Exercise 014 - Scale Pattern --:--
3 Exercise 018 - Flexibility --:--
4 Exercise 022 - Intervals --:--
5 Exercise 029 - Balance and Intonation - Shifting Chord Qualities --:--
6 Exercise 032 - Expanding Intervals - Downward in Triads --:--
7 Exercise 040 - Rhythmic Subdivision --:--
8 Exercise 049 - Etude --:--
9 Exercise 050 - Balance and Intonation - Diatonic Harmony --:--
10 Exercise 050 - Chorale - Jesu, Meine Zuversicht, arr --:--
11 Exercise 052 - Concert B-flat Major Scale and Chorale by Chris Bernotas --:--
12 Exercise 057 - Chorale by Robert Sheldon --:--
13 Exercise 059 - Chorale by Chris Bernotas --:--
14 Exercise 060 - Chorale by Rossano Galante --:--
15 Exercise 087 - Chorale by Michael Story --:--
16 Exercise 088 - Concert G Minor Scale and Chorale by Chris Bernotas --:--
17 Exercise 267 - Concert A-flat - Scale and Chorale by Chris Bernotas --:--

Exercise 003 - Passing the Tonic

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Additional Details
Series: Sound Innovations for Concert Band: Ensemble Development
Publisher: Alfred Music
Page Count: 56
ISBN10: 0-7390-6768-0
ISBN13: 978-0-7390-6768-0
UPC: 038081383415
SKU: 00-34573
Instrumentation: Bassoon

More about this title

About the Authors

Peter Boonshaft
Peter Loel Boonshaft stands as one of today's most dynamic voices in music education. He serves as Director of Education for Jupiter Band Instruments and is Professor Emeritus of Music at Hofstra University, where he was selected for the Center for Scholarly Research and Academic Excellence. Through his widely followed "Boonshaft's Blog," he continues to reach and inspire music educators across the country.

His contributions to the field have earned him recognition at the highest levels. Boonshaft became the first recipient of the George M. Parks Award for Leadership in Music Education, presented by the National Association for Music Education and Music For All. He has been honored with official proclamations from five state governors, a Certificate of Appreciation from former President Ronald Reagan, and has performed for multiple U.S. presidents and international dignitaries. His academic honors include membership in Pi Kappa Lambda and Alpha Chi, the University of Hartford's Outstanding Music Educator Award (received twice), and three designations as a National Endowment for the Arts Artist in Residence.

An accomplished conductor and educator, Boonshaft has been invited to speak and conduct throughout the United States and internationally. He previously taught at Moravian College and the University of Hartford, where he founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. His formal training includes a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts degree, along with a Certificate from the Kodály Musical Training Institute.

Chris Bernotas

Why we love this

This book cuts through the noise of generic exercise collections by pairing systematic technical work with genuine musical content. The inclusion of over 70 chorales by working composers (Sheldon, Story, Standridge, and others) means your bassoonists aren't just drilling scales; they're encountering real compositional voice leading and contemporary concert band idiom. The flexibility built into unmarked exercises lets you shape them to your ensemble's current priorities, whether that's articulation clarity, intonation matching, or expressive phrasing.

What to expect

Moving through these exercises feels like building a shared musical vocabulary with your section mates. Early pages invite careful listening and matching; later chorales reward expressive interpretation and musical independence. The writing honors the bassoon's dual life in concert band, from foundational harmonic support to moments of lyrical voice.

Who it's for

Intermediate concert band bassoonists working toward consistency in tone, intonation, and ensemble blend. This book serves programs using any standard band method, filling the gap between foundational method work and full ensemble repertoire.

How to get the most out of it

  • Start with chorales written in keys matching your current repertoire before exploring unfamiliar tonalities; this anchors musicianship work to material already in muscle memory.
  • Rotate between marked and flexible exercises within a single rehearsal to keep students engaged; the marked versions show what professional execution sounds like, while unmarked ones invite student ownership.
  • Use the variety of difficulty levels within each key signature to differentiate without breaking focus; advanced readers can tackle complex rhythmic versions while others solidify fundamentals in the same key center.
  • Layer these exercises into sectional rehearsal time so technical facility work happens alongside principal score preparation rather than competing for full-ensemble attention.

How to use it

Deploy this as your go-to resource for sectional rehearsals throughout the year, rotating keys with your concert season repertoire. The 412 exercises provide enough variety that you'll never exhaust fresh material at a single difficulty level, making it equally useful for fall fundamentals work and spring refinement of ensemble sound.

Skills your students will build

  • Reading and performing in multiple key signatures with accuracy and consistency
  • Matching tone quality and intonation within the bassoon section and across the ensemble
  • Executing marked dynamics, articulations, and style markings with precision
  • Sustaining steady pulse and phrasing shape through longer musical phrases
  • Interpreting unmarked exercises to develop musical independence and expressive choice

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