Best Friend (From "The Courtship of Eddie's Father"): Piano/Vocal/Chords
Item: 00-PSP-000380
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Description
Songs include As Long as We Got Each Other (Growing Pains) * Bad Boys (Cops) * Batman Theme (Batman) * California (The O.C.) * (Meet) The Flintstones (The Flintstones) * Good Ol' Boys (The Dukes of Hazzard) * I'll Be There for You (Friends) * Movin' On Up (The Jeffersons) * The Pink Panther (The Pink Panther) * Scooby-Doo (Main Title) (Scooby-Doo) * Song from M*A*S*H (M*A*S*H) * This Is It! (The Bugs Bunny Show) * Yogi Bear Song (Yogi Bear) * and many more.
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More about this title
About the Composer: Harry Nilsson
Harry Nilsson (1941-1994) was a singer-songwriter and composer who created some of television's most memorable theme songs and incidental music. His gift for writing catchy, emotionally resonant melodies made him a natural fit for the emerging world of television scoring in the 1960s and 1970s. Nilsson's work balanced commercial appeal with genuine compositional craft, earning him Grammy Awards and an Academy Award nomination.
Beyond television, Nilsson was a prolific recording artist whose songs have been covered by everyone from The Beatles to Mariah Carey. His approach to melody and lyric writing emphasizes accessibility without sacrificing emotional depth, making his music enduringly popular in educational and performance settings.
Why we love this
This collection captures some of the most iconic television themes ever written, and Nilsson's "Best Friend" stands out as a perfectly crafted pop song that bridges generations of students and audiences. The straightforward piano/vocal/chord format makes these pieces approachable for pianists and singers at various levels while preserving the melodic integrity that made these themes instant classics. Programming a TV theme medley or featuring individual songs from this book lets you tap into genuine pop culture touchstones that engage students and audiences alike.
What to expect
These melodies radiate warmth and sincerity, the kind of musical storytelling that made television a central part of popular culture. From playful and bouncy to gentle and introspective, the collection captures the emotional range that Nilsson brought to every theme he wrote. Each piece feels immediately familiar yet fresh, inviting performers and listeners into a shared cultural moment.
Who it's for
Piano teachers working with students who want to perform contemporary popular music alongside classical repertoire will find this collection invaluable. Vocalists seeking accessible, recognizable material that builds performance confidence benefit from songs audiences already know and love. Small ensembles and pianists preparing recital programs can draw from these 40+ titles to create engaging, varied concerts.
How to get the most out of it
- Maintain a light, conversational tone in the vocal line rather than oversinging; Nilsson's melodies work best when delivered with restraint and sincerity.
- Use the chord symbols to explore jazz voicings on piano if your player is comfortable with reharmonization; the basic changes can support a more sophisticated sound.
- Pay attention to rhythmic precision in the accompaniment, especially in uptempo pieces where a loose rhythm will undermine the catchy quality that made these themes memorable.
How to use it
Consider programming "Best Friend" alongside other classic TV themes from this collection to create a nostalgia-tinged first half that appeals to mixed-age audiences. Solo pianists can use individual pieces as warm, accessible additions to recitals, particularly when balancing a heavier classical program. Music classes exploring songwriting and melodic construction benefit from studying how Nilsson crafted simple, memorable lines that stick with audiences across decades.
Skills your students will build
- Reading chord symbols and understanding basic harmonic progressions
- Performing melodic material with emotional sensitivity and restraint
- Integrating melody, harmony, and accompaniment patterns in a pop music context
- Interpreting stylistically appropriate articulation and phrasing for television-era popular music