As Long As We Got Each Other (From "Growing Pains") Sheet Music Preview

As Long As We Got Each Other (From "Growing Pains"): Piano/Vocal/Chords

Item: 00-PSP-000373

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Description
Each songbook in the Big Book series provides musicians of all ability levels with a big list---usually 40 or more titles per book---of the very best songs from a favorite musical genre.

Songs include As Long as We Got Each Other (Growing Pains) * Bad Boys (Cops) * Batman Theme (Batman) * California (The O.C.) * (Meet) The Flintstones (The Flintstones) * Good Ol' Boys (The Dukes of Hazzard) * I'll Be There for You (Friends) * Movin' On Up (The Jeffersons) * The Pink Panther (The Pink Panther) * Scooby-Doo (Main Title) (Scooby-Doo) * Song from M*A*S*H (M*A*S*H) * This Is It! (The Bugs Bunny Show) * Yogi Bear Song (Yogi Bear) * and many more.

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Additional Details
Series: The Big Book Series
Publisher: Alfred Music
Page Count: 256
SKU: 00-PSP-000373

More about this title

About the Composer: Steve Dorff

Steve Dorff is a composer and songwriter whose career spans decades of television and film scoring. He is best known for his work on iconic television themes and underscore, particularly for family-oriented series that became cultural touchstones. His ability to craft memorable, singable melodies that instantly capture a show's identity has made his music instantly recognizable across generations.

Why we love this

This collection captures the infectious joy of TV themes that shaped American pop culture, giving singers access to music that audiences already love and recognize. The variety spans decades and genres, so you can program a single theme or build an entire medley that connects with listeners young and old. The straightforward piano/vocal/chord arrangements make these accessible without sacrificing the charm of the original melodies.

What to expect

Stepping into a time machine of American television. Each theme carries the emotional signature of its show: the warmth of family-centered sitcoms, the swaggering confidence of action shows, the whimsy of cartoons. These melodies are designed to lodge themselves in your memory, and singing them feels like sharing something you already know with an audience.

Who it's for

Pianists and singers preparing solo recitals, piano students exploring contemporary and popular repertoire, and singers in musical theater or cabaret settings who want crowd-pleasing material. This book also works for educators programming youth concerts or variety shows and for music teachers building repertoire libraries that connect to students' lives outside the practice room.

How to get the most out of it

  • Lean into the conversational quality of vocal lines; these themes are written to be sung naturally and warmly, not operatically. Trust the simplicity of the melody.
  • Use the chord symbols to inform your harmonic accompaniment at the piano. The voicings don't need to be dense; clarity often serves these melodies better than fullness.
  • Reference recordings of the original TV themes to capture the intended tempo and feel. Many of these songs have a specific rhythmic pocket that makes them instantly recognizable.
  • Pay attention to the lyrical rhythm in relation to the piano part. These songs were written for broadcasting, so they often have a conversational phrasing that differs from classical vocal lines.

How to use it

Create a "TV Themes" concert featuring 4-6 selections that span decades and moods, inviting the audience to sing along on familiar refrains. Individual themes work beautifully in recital programs as palate cleansers between classical pieces, offering humor and accessibility. Student pianists can also use single arrangements as supplementary repertoire that builds comfort with lead sheets and chord-based accompaniment.

Skills your students will build

  • Reading and interpreting chord symbols for accompaniment
  • Singing with conversational phrasing rather than operatic technique
  • Balancing melody and piano texture in contemporary popular songs
  • Understanding vocal line placement and breathing in shorter, broadcast-length forms

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