L.A. Law (Main Title) Sheet Music Preview

L.A. Law (Main Title): Piano/Vocal/Chords

Item: 00-PSP-000461

Digital Download
$4.99

One moment…

Description
Each songbook in the Big Book series provides musicians of all ability levels with a big list---usually 40 or more titles per book---of the very best songs from a favorite musical genre.

Songs include As Long as We Got Each Other (Growing Pains) * Bad Boys (Cops) * Batman Theme (Batman) * California (The O.C.) * (Meet) The Flintstones (The Flintstones) * Good Ol' Boys (The Dukes of Hazzard) * I'll Be There for You (Friends) * Movin' On Up (The Jeffersons) * The Pink Panther (The Pink Panther) * Scooby-Doo (Main Title) (Scooby-Doo) * Song from M*A*S*H (M*A*S*H) * This Is It! (The Bugs Bunny Show) * Yogi Bear Song (Yogi Bear) * and many more.

L.A. Law (Main Title): Piano/Vocal/Chords isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: The Big Book Series
Publisher: Alfred Music
Page Count: 256
SKU: 00-PSP-000461

More about this title

About the Composer: Mike Post

Mike Post is a prolific television composer whose work has shaped the sound of American television for decades. His distinctive style combines memorable melodies with sophisticated orchestration, making even the most familiar themes instantly recognizable and endlessly hummable.

Why we love this

This collection captures some of television's most iconic themes in piano/vocal/chords format, giving singers and pianists direct access to material that audiences already love and recognize. The variety across genres and eras means you can find something that fits nearly any performance context, from pops concerts to variety shows to solo recital warmups.

What to expect

Stepping into a time capsule of television history. You get the nostalgia and instant familiarity of these themes, but arranged for the intimacy of piano and voice rather than the full orchestral wash. Each theme carries the memory of its show while standing on its own as a piece to perform.

Who it's for

Singers and pianist accompanists looking for accessible, recognizable material that connects with audiences. This works for voice students building recital repertoire, community theater performers, and anyone preparing a pops-style concert.

How to get the most out of it

  • Balance the vocal line against the piano accompaniment; these themes were written for orchestras, so a lighter vocal approach often works better than belting.
  • Use chord symbols to make the accompaniment your own. Fill in the harmony creatively rather than playing block chords.
  • Find the rhythmic pocket of each theme. Many of these were written with specific percussion and groove elements, so lock into the groove pattern suggested by the piano arrangement.

How to use it

Build a pops or variety concert around these themes, or scatter them throughout a program as palate cleansers between classical pieces. They also work beautifully as encore material, since audiences tend to recognize and enjoy them immediately.

Skills your students will build

  • Reading piano/vocal/chords notation
  • Collaborating between vocalist and accompanist
  • Interpreting lead sheet harmonies and chord extensions
  • Connecting classical performance technique to popular and entertainment repertoire

You May Also Like